derek beaulieu’s Prose of the Trans-Canada is an epic inscribed scroll, a graphemic saga as Odyssean and graphic a roadtrip as traveling the eponymous Trans-Canada highway. The 16” x 52” work is named after Blaise Cendrars’ monumental Prose of the Trans-Siberian (1913), a milestone in the history of artists books and visual poetry.
beaulieu writes that naming it after Cendrars' work, “places it within a continuity of engagements with the artist's book (as Cendrars' volume is considered an early progenitor of that form). Cendrars’ Prose of the Trans-Siberian was also a reply to the architecture of modernism: if 150 copies of Cendrars’ volume were placed end-to-end, the result would be the same length as the height of that symbol of Parisian Modernity, the Eiffel Tower.
[In advance of the forthcoming reprint by Nine Point Publishing of my 1978 book, A Seneca Journal, the following are some of the poems omitted from the original publication & now ready to be seen anew. Other work from the Seneca years has appeared since then in Shaking the Pumpkin & elsewhere. (J.R.)]
To help celebrate the 150th birthday of Robert Browning, poet Aaron Kramer went into the studios of WNYC in New York on May 3, 1962, and performed three of Browning’s poems — and offered commentary on each.
Kramer got a copy of the program from WNYC and kept it; after his death, Laura Kramer, the poet’s daughter, found the tape and generously permitted PennSound to make it available, along with a great many other readings now featured on PennSound’s Kramer page.