Three poems by Ed Roberson
A Glass
The table looking ’cross the valley
silences from us
the two seated there into the view;
the green ridge overrides
the crests lined behind it as
completely as the wave sway
of their hands’ meanings
as words mouthed like fish breathing
somewhere and something else
the next sea.
Depending on the wind
you can now and then hear a voice
from some invisible distance
one as long as this tide of ridges
seems
counterpoint the two meeting.
Temperature changes the carry
of sound it is air after all our words.
Rephrased and added to through leaves over peaks
the trajectoried cast of shadow’s chills and heats …
The two are calm but angry or is it us
counter with neither that trusts our way of
seeing as always when if
the whole mountain is in the picture, we are not.
Our voices, a wind. Calm nor anger no more
than a green.
And air in the ear of atmosphere a message
finally back is silent
a cyclone erase and polish of our sea’s
surfaces into a glass of sky.
Transporte Mixto
Two extra seats welded to the frame
of the truck cab make this business
not tourism though what we’ve seen
all morning no screen but the world
itself could take on and even a peep
through don’t-look-fingers would fill theaters
Every space to sit on top of the load
is occupied by its farmers looking instead
to market not the mountains the one lane
thousand foot drop off over the pass way
you do business even in the face
of another truck’s sudden rounding the corner
You don’t speak the language you do
speak with common eyes that face we
let speak all at once as one recognition
No one has to
repeat that silence’s sound The cost of business
is something more than the experience
than the view. More
like the women who appear with warm bread
out of nowhere when a landslide moments ahead
closes the road
or like the thought of having to eat
our words for fear.
Case
A someone else I anticipate seeing
my mess has stopped coming a guest respect
that brought me to order
now it’s just
the way it is where I leave everything
alone bum ahead or break off to never
coming or coming back to
some pile in the floor
that’s now the texture the ground of stepping
over as if no body is there
nor here
I no longer
habeas corpus
nor produce the body.
…
I prepare a table for my guest
and my guest brings me clearing
me clearing off
the table
brings the table
my guest brings me clearing off the table
The clearing in the presence of my enemy
In my disorder I am my enemy the guest
of my company
Someone I anticipate seeing the mess
I would clear away for has stopped coming
Look The clearing has stopped coming
object aim purpose beneficiary all
those are for stop dropping by and fall
…
to the floor: In this case
guests never arriving starve the host
so he carves them
out of himself he eats them with nothing
to prepare for
The jury must decide if the guests are souls
or un-embodied ambulations of will,
death’s transmigrating finishes of list
or fluctuating fields of presence at
a formal dress vacuum
event excited to fluorescence as a ghost
or one’s own
perspective parallaxed
to the point it gets to one
John Ashbery and the arts
Edited byThomas Devaney Marcella Durand