Reviews Editor Orchid Tierney returns with capsule reviews of It’s Not Over Once You Figure ItOut by Isaac Pickell, Border Wisdom by Ahmad Almallah, and Tung by Robyn Maree Pickens. Here is the review of Almallah: Reading Almallah’s haunting collection in 2024, it is impossible not to feel the loss and pain of genocide, the slow violence that unfolds each day with rapid intensity in the Gaza Strip. Border Wisdom grapples with this loss through a bilingual lens of Arabic and English, through life and death that surface with the loss of a mother and a mother tongue: “in this land of new beginnings / I own no language.” Translation and malformations become necessary strategies to refuse linguistic, social, and political borders. “I tell you this translaformation is more accurate a / translation than I ever imagined,” writes Almallah. This collection is a beautiful elegy for a mother and a mother tongue.
Reviews Editor Orchid Tierney returns with capsule reviews of It’s Not Over Once You Figure ItOut by Isaac Pickell, Border Wisdom by Ahmad Almallah, and Tung by Robyn Maree Pickens.
It’s Not Over Once You Figure It Out, Isaac Pickell (Black Ocean, 2023)
For this PoemTalk episode about Matvei Yankelevich’s book of poems (or book-length poem), Dead Winter (Fonograf, 2022), Al Filreis convened Kevin Platt, Huda Fakhreddine, and Ahmad Almallah to discuss four poems/sections from the work: “Winter comes calling” (7), “Winter have I lost your thread?” (12), “In a disjunctive age, disconsolate, without connection” (21), and “Winter and one more mine is the other guilt” (27). Our recording of these poems was made by Matvei just for PoemTalk and is available now at his PennSound page. (That PennSound author page, by the way, already includes a video recording of a conversation with Matvei himself about Dead Winter — joined by Kevin, Ahmad, and Al as well as a dozen or so of Ahmad’s students.)
Al Filreis convened Matvei Yankelevich, Ahmad Almallah, and Kevin Platt at the Kelly Writers House to talk about two poems by Eugene Ostashevsky: “The Anatomy of Monotony” [audio] and “Language” [audio]. They were included in The Unraveller Seasons (2000). The recordings of the two poems we use in this episode come from a 2005 reading at the Bowery Poetry Club in New York, available at Ostashevsky’s PennSound page.
From left: Anna Strong Safford, Ahmad Almallah, Stephen Metcalf
Stephen Metcalf, Anna Strong Safford, and Ahmad Almallah joined Al Filreis to talk about one of the most well known poems in English of the twentieth century — Robert Frost’s “Mending Wall.” What hasn't already been said about this poem? Well, to our ears at least, this conversation goes in several unusual and, we think, fascinating new directions. What exactly is the nature of the poem’s (or anyway the speaker’s) cultural conservatism? Can the wall really be read geopolitically? Is it more about what is being walled out than walled in? Do the stalwart iambs themselves form a wall that is hard for readers to get across? Are the gaps in the wall wide enough for new readers to get through?
Ahmad Almallah, Bitter English (Chicago: University of Chicago Press, 2019), 87 pp.
He stumbles as he says pretty much anything to himself — always while successfully conveying such stumbling to us. He feels that he owes everything to one place but knows that that place is “not here” — not the here of the place where he writes, not even the new “here”-ness the poem makes. How can a poet occupying the space of a page, the classic “here” where even a lost poet can call home, be alienated even from that “here”? The typical poetic existential “here I am” becomes a matter, always, of forgetting and remembering both. (It’s significant that one of the muses here is the poet’s mother, she who suffers from memory loss.)
He stumbles as he says pretty much anything to himself — always while successfully conveying such stumbling to us.
He feels that he owes everything to one place but knows that that place is “not here” — not the here of the place where he writes, not even the new “here”-ness the poem makes. How can a poet occupying the space of a page, the classic “here” where even a lost poet can call home, be alienated even from that “here”?
Al Filreis was joined by Ellen Berman, Anthony Rostain, and Ahmad Almallah to talk about Anne Sexton’s poem “The Ambition Bird” (1972). Berman and Rostain are practicing psychiatrists, and Almallah is a poet whose first book, Bitter English, is being published by University of Chicago Press. A film of Sexton reading the poem — available on YouTube — is the basis of the audio we extracted.
Visualizing the future tense
Orchid Tierney
Reviews Editor Orchid Tierney returns with capsule reviews of It’s Not Over Once You Figure It Out by Isaac Pickell, Border Wisdom by Ahmad Almallah, and Tung by Robyn Maree Pickens. Here is the review of Almallah: Reading Almallah’s haunting collection in 2024, it is impossible not to feel the loss and pain of genocide, the slow violence that unfolds each day with rapid intensity in the Gaza Strip. Border Wisdom grapples with this loss through a bilingual lens of Arabic and English, through life and death that surface with the loss of a mother and a mother tongue: “in this land of new beginnings / I own no language.” Translation and malformations become necessary strategies to refuse linguistic, social, and political borders. “I tell you this translaformation is more accurate a / translation than I ever imagined,” writes Almallah. This collection is a beautiful elegy for a mother and a mother tongue.
Reviews Editor Orchid Tierney returns with capsule reviews of It’s Not Over Once You Figure It Out by Isaac Pickell, Border Wisdom by Ahmad Almallah, and Tung by Robyn Maree Pickens.
It’s Not Over Once You Figure It Out, Isaac Pickell (Black Ocean, 2023)