On October 11, 1990, Jackson Mac Low read from Gertrude Stein's Tender Buttons for seven minutes. You'll hear the voice of Charles Bernstein as he and others (members of Bernstein's class at Buffalo at the time) scramble to find a copy of the Stein. Then Mac Low spent a few minutes discussing the "Objects" section.
Pasaje Rodríguez, across from the Grafógrafo Bookstore (Tijuana)
What happens in the space between languages, between minds, between distinct modes or moments of perception, different ways of understanding and articulating those perceptions? What is made possible in the many shifting spaces we inhabit as we move through an exchange or transfer of brain waves, sound waves, ideas carried by breath, without alighting too long in any one particular position?
This playlist includes recordings of authors reading the entirety of a book or chapbook. I find that longer recordings allow me to become immersed in the textures of the work, to register the ambient sonic environment, and to perceive other small shifts and variations within and between pieces. I sometimes listen to one long recording that allows me to settle into a particular mode of listening and then follow it by listening to another recording that suggests another form of attention. I like the feeling of becoming engrossed and hypnotized by a recording and then using another recording to snap myself out of the experience so that I can see the initial recording with more critical distance.
Inexpert investigation in poetry opens a space: what is left open is left open. “The highly rewarded entrepreneurial strategy of forging ahead with an air of mastery no-matter-what spawns impatience for the point or gist,” Joan Retallack writes in The Poethical Wager. What get lost are “values that encourage the necessarily inefficient, methodically haphazard inquiry characteristic of actually living with ideas” (51).
Enter inexpert investigation. A poet can bring fanciful fortitude to her investigation without commandeering it. After all, the poem need not serve as the final word, but rather, as an opening up for others to engage. A poet might be attuned to unlikely connections. Situational rhymes. An alchemy of juxtapositions.
This inexpertise involves responsibility—via responding. Listening.