In The H.D. Book, Robert Duncan aptly terms the work that H.D. produced during and after World War II a poetics of “testimony.” In the last twenty years of her life, she experimented with new hybrid forms in both poetry and prose, writing major innovative works that bore witness to the public and shared trauma of World War II and responded to the ensuing rise of the Cold War. She was also increasingly chronicling the private trauma of disabling conditions following the war.
On being ill-informed: H.D.’s late modernist poetics (of) d’espère
In 2010, Stanford University Press published The Collected Poems of Larry Eigner and the book’s faithful editors, Curtis Faville and Robert Grenier, had every right to expect both showers of attention and hosannas of praise. Though Eigner did not win any awards in his lifetime, he enjoyed a remarkable succes d’estime, first amongst the Black Mountain poets and then with the Language school.