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The twenty-seventh podcast in the “PennSound Podcasts” series features an anthology of eight introductions to Robert Creeley, culled from PennSound's many recordings of Creeley’s readings over the years. The introductions are, in order: by Paul Carroll (Chicago, May 15, 1961), at the Berkeley Poetry Conference (Berkeley, July 22, 1965), by Ed Sanders (New York, October 24, 1966), in the Woodberry Poetry Room of Harvard (Cambridge, October 27, 1966), at MoCA Los Angeles in 1983, by Reed Bye at Naropa (Boulder, July 1984), by Diane Wakoski (Washington, DC, 1984), and by Susan Howe (Buffalo, October 11, 1996).
This PennSound podcast is hosted and introduced by Amaris Cuchanski and edited by Nick DeFina. Be sure to listen to other PennSound podcasts. And find us on iTunes by typing “PennSound” in your iTunes music store searchbox.
March 23, 2013
For Leslie Scalapino, the poem’s an apparatus, no mere mimetic catch to reproduce world(s) as a backdrop for the poem’s disclosures. That it can be used to observe the manifestations and codeterminations of entangling and unfurling world(s) is also mere axiom; more crucially, the poem tears back the veil of the “real” (in this case, where flesh meets florescence: body/world) to point to the rachitic frame-structure bolstering becoming.
in the hug of a wave horizon rolled youngly from nothing.
— Susan Howe, “Chanting at the Crystal Sea”