Image adapted from front and back covers of ‘F Letter.’
Russia’s new feminist poetry has so fully arrived in the US as to be featured in Time magazine, but that interest from a mainstream publication does not mean that this remarkable work is anodyne or safe. This work can be fierce, hilarious, tender, and sexy. It stretches the boundaries of the poetic, not least when the poets ironically ask, as Stanislava Mogileva puts it in her “Song,” whether the poetry is sufficiently feminist, sufficiently activist, or too personal, too simple, too frivolous, too intense.
Erica Hunt’s Jump the Clock: New and Selected Poems (Nightboat, 2020) gathers six revised full-length collections and chapbooks. Across their nearly thirty years of publication, edited in and with the present, they propose ways of reconceptualizing time that work against a ground of racial capitalist marginalization to generate radiant clarity about the conditions of our living.
Erica Hunt’s Jump the Clock: New and Selected Poems (Nightboat, 2020) gathers six revised full-length collections and chapbooks. Across their nearly thirty years of publication, edited in and with the present, they propose ways of reconceptualizing time that work against a ground of racial capitalist marginalization to generate radiant clarity about the conditions of our living. They are specific, often, about how time feels — how various pasts feel in the present, and how language makes evident the variability of what time is and how it behaves.
