Michael Heller’s This Constellation Is A Name: Collected Poems 1965–2010 is a culmination of over forty years of poetic exploration by a major voice in contemporary poetry. From his experimental poems of the 1960s to the more assured (though no less experimental) work of recent decades, Heller’s poems wrestle with all the implications of “history and the constellated night,” as he writes in “Gloss.”[1]
Made up of three sections — “Teaching Tools,” “Labor Pools,” and “Work Cycles” — Lori Anderson Moseman’s All Steel builds a complex series of cause-and-effect-like inquiries. These inquiries are based on a trio of typological metaphors: tool (is to) genre (as) type of worker (is to) building or social space (as) month or holiday (is to) ritual.