The Mississippi Project

Al Filreis

I'll have more to say about The Mississippi Project in a later posting.I'll have more to say about The Mississippi Project in a later posting. Meantime, here's a passage from this year's convocation speech given to Penn's new freshman class by university president Amy Gutmann just a few nights ago:

If the first unwritten rule governing success at Penn is to open your mind to new ideas and friendships, then the second Penn rule is to aim high. The more unconventional, the better.

Consider Gabe Crane, a rising College senior whose passion for writing and canoeing led him to conceive a daring adventure: He and three of his pals would paddle canoes down the entire 2,000 miles of the Mississippi River. Then he’d write about the experience afterward.

Penn English Professor Al Filreis encouraged Gabe to be even bolder. Why not create a live blog called the “Mississippi Project” and make the adventure come alive in words, pictures, and conversation?

With tech support from Kelly Writers House and financial support from the Center for Programs in Contemporary Writing, Gabe created a multi-media literary journal that transformed his adventure into — in his words — “a meditation on the state of our generation, coming now finally of age … and a meditation on the state of our country.”

Because Gabe aimed high, he has the beginnings of an original book and the makings of a successful literary career.
Penn can make the biggest difference in your lives when keep your mind open to challenging new ideas and friendships, and aim high.

September 7, 2007

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DIGITAL PEDAGOGY: This was a magazine story published in 2001 about my use of e-media in teaching. “Postmodern poets focused on the process of their poetry, rather than on what the words in their poems actually said. The purpose was to make poetry and language new again. There's no better way to describe Filreis's teaching style. He uses technology to free class time for discussion, which to Filreis is more important than the course material itself. The point is to develop his students' ability to think critically, not to have memorized every last fact about Gertrude Stein. And yet, he said, through that active engagement with the material, students end up remembering more of the content.”

Click on the image.

ASHBERY PERFORMS STEVENS: In October of 1989, John Ashbery went to St. John's the Divine Cathedral in New York to be part of the induction of Wallace Stevens at the Poets' Corner. There was a vespers service and Ashbery read six sections of Stevens's "An Ordinary Evening in New Haven." Imagine that--that poem read at a vespers service! Anyway, I certainly don't know of another recording of Ashbery performing Stevens. Stevens was a fairly bad reader of his own poems. Ashbery is deemed by many to be an indifferent reader of his poems. (I don't agree, but understand the point.) But here, reading Stevens, Ashbery is marvelous. Here is a 7-minute recording of sections 3, 5, 12, 17, 18 and 30 of the Stevens poem that comes closest to real serial writing (seriality at the level of the section, anyway).

THE (ANTI)MODERN PRESIDENT. After looking at an abstract mural at the U.N. then President-elect Eisenhower said, “To be modern you don't have to be nuts.”

THE END OF THE LECTURE & PLANNING TO STAY. As often as I can, I call for the end of the lecture as we know it. I'm pretty serious about this - not often exaggerating on the point. Click here for one of many forays into the topic. Once you're there, click on the "end of the lecture" tag for still more. My thoughts on institutional politics and the arts were presented in a manifesto called "Planning to Stay" (published as a pamphlet by No Press); the text of that talk is available here.

KELLY WRITERS HOUSEPhiladelphia's PBS affiliate, WHYY-12, produces a TV show that in each episode features four centers for the arts and creativity in the Philadelphia region. For its winter 2010-11 program, the show devoted 15 minutes to the Kelly Writers House in a segment called “The Creative Campus.” To watch the video, click on the image above.

REPRESENTATIONS OF THE HOLOCAUSTI dislike Spielberg’s Schindler’s List intensely. It's a film, I think, that is very friendly toward sovereignty. For more on this minority view, click on the image above. I teach a course at Penn on representations of the Holocaust in literature and film every other fall semester.

In 2003 I founded and continue to direct the Center for Programs in Contemporary Writing at the University of Pennsylvania. CPCW brought together the university's writing programs and projects: Critical Writing, Creative Writing, the Kelly Writers House, PennSound, RealArts@PENN, Writers Without Borders, Creative Ventures, Jacket2, and more. For information and links to each of these projects, click on the logo above.