The frontispiece of the housepress edition (2002; 125 copies) of Fred Wah’s poem-series All Americans is a reproduction of a commemorative plate produced by the Standard Brewing Company. The illustrated souvenir dish, of the sort common in its time, has been photographed upright on a wooden stand. In consultation with housepress founder, editor, and publisher Derek Beaulieu, Wah chose to open his book by featuring the lithograph reprinted and colorized on this plate. The drawing itself was apparently made in 1863 — presumably the artist had been a witness not long after the execution by hanging of 38 eastern Dakota people at Mankato, Minnesota, on December 26, 1862. These death sentences, rendered hastily and prejudicially by a military court in reaction to the uprising of the eastern Dakota that had commenced in August — sentences then affirmed by Abraham Lincoln in the White House — were carried out in the largest single-day mass execution in U.S. history.
The essay was commissioned by Derek Beaulieu as he prepared to celebrate 25 years of No Press and housepress. I have now received a copy of a book, entitled Paper and Thread, edited by Derek, which includes my essay about Fred Wah along with contributions by Kyle Schlesinger, Charles Bernstein, Sacha Archer, Nasser Hussain, Richard Harrison, Kit Dobson, Gregory Betts, Gary Barwin, George Bowering, Johanna Drucker, Nick Montfort, bill bissett and a number of others. The book can be purchased here. I have made a PDF version of the published essay, and a copy of the essay follows as well:
The frontispiece of the housepress edition (2002; 125 copies) of Fred Wah’s poem-series All Americans is a reproduction of a commemorative plate produced by the Standard Brewing Company. The illustrated souvenir dish, of the sort common in its time, has been photographed upright on a wooden stand. In consultation with housepress founder, editor, and publisher Derek Beaulieu, Wah chose to open his book by featuring the lithograph reprinted and colorized on this plate. The drawing itself was apparently made in 1863 — presumably the artist had been a witness not long after the execution by hanging of 38 eastern Dakota people at Mankato, Minnesota, on December 26, 1862. These death sentences, rendered hastily and prejudicially by a military court in reaction to the uprising of the eastern Dakota that had commenced in August — sentences then affirmed by Abraham Lincoln in the White House — were carried out in the largest single-day mass execution in U.S. history.
In January 2020, Al Filreis and the PoemTalk team traveled to Vancouver, British Columbia, where at the home of friends Richard Cook and Lucy Oh Cook they met up with Meredith Quartermain, Fred Wah, and Daphne Marlatt to talk about Daphne’s poem “Arriving.” The discussion was witnessed by a lively live audience and was filmed. The unabridged video is available here below and also on YouTube.
Larissa Lai’s poetry here “is on the move between things,” as Fred Wah puts it in this episode of PoemTalk, for which Al Filreis also gathered Daphne Marlatt and Colin Browne to discuss Lai’s long poem Nascent Fashion (published together with several other long poems in Automaton Biographies). Fred, Daphne, and Colin were on tour together as a Western Canadian trio for readings and events along the US east coast. Fortunately for PoemTalk and Kelly Writers House, Philadelphia was one of their stops.
Larissa Lai’s poetry here “is on the move between things,” as Fred Wah puts it in this episode of PoemTalk, for which Al Filreis also gathered Daphne Marlatt and Colin Browne to discuss Lai’s long poem Nascent Fashion (published together with several other long poems in Automaton Biographies). Fred, Daphne, and Colin were on tour together as a Western Canadian trio for readings and events along the US east coast. Fortunately for PoemTalk and Kelly Writers House, Philadelphia was one of their stops.
Daphne Marlatt, Fred Wah, and Colin Browne visited Philadelphia on March 15, 2017. They joined me for a recording of an episode of PoemTalk on Larissa Lai’s Nascent Fashion, and then give a triple reading at the Penn Book Center. That reading was recorded on audio and will be available soon at the poets’ PennSound pages. Meantime, I captured performances of two poems as video recordings — Fred Wah reading (his encore poem) from his great book Is aDoor, and Daphne Marlatt reading a piece from her Vancouver Poems.
Fred Wahwas born in Swift Current, Saskatchewan in 1939, but he grew up in the West Kootenay region of British Columbia. He studied music and English literature at the University of British Columbia in the early 1960s where he was one of the founding editors of the poetry newsletter TISH. After graduate work in literature and linguistics at the University of New Mexico in Albuquerque and the State University of New York at Buffalo, he returned to the Kootenays in the late 1960s where he taught at Selkirk College and was the founding coordinator of the writing program at David Thompson University Centre. He retired from the University of Calgary in 2003 and now lives in Vancouver. He has been editorially involved with a number of literary magazines over the years, such as Open Letter and West Coast Line.
Weyman Chan was born in Calgary, Alberta, in 1963, to immigrant parents from China. Chan has published poems and short stories in a wide variety of literary journals and anthologies. He won the 2003 Alberta Book Award for his first book of poetry, Before a Blue Sky Moon and his second book, Noise From the Laundry, was a finalist for the 2008 Governor General’s Award for Poetry and the 2009 Acorn-Plantos Award for People’s Poetry. Chan’s most recent collection Chinese Blue draws on more than two thousand years of ancient Chinese tradition that present diverse philosophical modes of being in contemporary times.
We at Jacket2 happily take note of this news report — among others, of course — announcing the selection of Fred Wah as “parliamentary poet laureate” of Canada. The photograph here was taken by Lawrence Schwartzwald.
Saskatchewan writer Fred Wah named parliamentary poet laureate Winnipeg Free Press, December 21, 2011
OTTAWA - Saskatchewan-born writer Fred Wah has been appointed as the new parliamentary poet laureate.
Wah is the fifth poet to hold the office.
He replaces Pierre DesRuisseaux, whose two-year term expired earlier this year.
The post was created in 2001, with a mandate to write poetry, especially for use in Parliament on important occasions, to sponsor poetry readings and advise the parliamentary library.
The poet is appointed by the Speaker of the Commons and Senate on the recommendation of a selection committee which included, among others, the commissioner of official languages and the head of the Canada Council.
Wah is a well-known poet who won a Governor General's Award in 1986 and is on the faculty of the Banff Centre for the Arts.
Lisa Robertson, Jeff Derksen, and Bob Perelman joined Al Filreis to talk about a poem in a sixteen-poem series by Fred Wah going under the title “Discount Me In.” That series and several others were brought together in a book called Is a Door. Our poem, “Race, to go,” is the first — a proem of sorts — in the “Discount Me In” group, and we have occasion during our discussion to talk about the several valences of discounting. I don't count. The census misses me because I fall between the cracks in racial categories. The neo-liberal moment has cheapened me. Both positively and negatively racially charged language around food, freely punned and intensely oral, turns casual by-talk into rebarbative backhand (creating an effect distinctly pleasurable) and brings into the poem the entire story of official Canadian multiculturalism.
You can be a cruel word: On Fred Wah’s 'All Americans'
The frontispiece of the housepress edition (2002; 125 copies) of Fred Wah’s poem-series All Americans is a reproduction of a commemorative plate produced by the Standard Brewing Company. The illustrated souvenir dish, of the sort common in its time, has been photographed upright on a wooden stand. In consultation with housepress founder, editor, and publisher Derek Beaulieu, Wah chose to open his book by featuring the lithograph reprinted and colorized on this plate. The drawing itself was apparently made in 1863 — presumably the artist had been a witness not long after the execution by hanging of 38 eastern Dakota people at Mankato, Minnesota, on December 26, 1862. These death sentences, rendered hastily and prejudicially by a military court in reaction to the uprising of the eastern Dakota that had commenced in August — sentences then affirmed by Abraham Lincoln in the White House — were carried out in the largest single-day mass execution in U.S. history.
The essay was commissioned by Derek Beaulieu as he prepared to celebrate 25 years of No Press and housepress. I have now received a copy of a book, entitled Paper and Thread, edited by Derek, which includes my essay about Fred Wah along with contributions by Kyle Schlesinger, Charles Bernstein, Sacha Archer, Nasser Hussain, Richard Harrison, Kit Dobson, Gregory Betts, Gary Barwin, George Bowering, Johanna Drucker, Nick Montfort, bill bissett and a number of others. The book can be purchased here. I have made a PDF version of the published essay, and a copy of the essay follows as well:
The frontispiece of the housepress edition (2002; 125 copies) of Fred Wah’s poem-series All Americans is a reproduction of a commemorative plate produced by the Standard Brewing Company. The illustrated souvenir dish, of the sort common in its time, has been photographed upright on a wooden stand. In consultation with housepress founder, editor, and publisher Derek Beaulieu, Wah chose to open his book by featuring the lithograph reprinted and colorized on this plate. The drawing itself was apparently made in 1863 — presumably the artist had been a witness not long after the execution by hanging of 38 eastern Dakota people at Mankato, Minnesota, on December 26, 1862. These death sentences, rendered hastily and prejudicially by a military court in reaction to the uprising of the eastern Dakota that had commenced in August — sentences then affirmed by Abraham Lincoln in the White House — were carried out in the largest single-day mass execution in U.S. history.