Few peers among rats
Al Filreis undertook two tasks: to be a good “archive rat” (a term he has borrowed from historian Richard Hofstadter, who used it dismissively) and to explain a complex movement that blended politics and aesthetics. As a rat, Filreis has few peers. He sifted through special collections, private letters, and other unpublished material in venues from Syracuse to Austin and beyond (even Truchas, New Mexico); thanks to these labors, he has seen through pseudonyms, traced connections unknown to previous scholars, and rescued from oblivion both unjustly neglected poets and their cranky detractors.
The final impression left by this book, however, is a sense of wonder. How seriously everyone — conservatives and liberals alike — seems to have taken poetry a mere half-century ago!