Collective lyric self in twenty-first-century poetry
“Either as poets or as readers, we now realize we are entangled, even when we don’t know what do to with this realization, nor what to call it.” Photo of red bryony tendrils intertwined by hedera.baltica via Wikimedia Commons.
1. First-person otherness
Running the risk of asking the most naïve-sounding question in lyric poetry, what do we make of a contemporary poem in English written in the first person? Whether the first person is singular or plural, how does that choice impact our relationship with the speaker in the poem? And has that relationship changed in the twenty-first century, or is it dictated by our inheritance of modernist ideas and the way they have framed our understanding of the lyric self?
S/N: NewWorldPoetics –– announcing our 4th issue
Mario Arteca, tr. G.J. Racz
Lila Zemborain, tr. Gabriel Amor
Fransisco Madariaga, tr. Molly Weigel
Esteban Peicovich, tr. G.J. Racz
Barbara Guest, tr. Arcadio Leos
Poetics / Poeticas
Meanwhile | Daniel Freidemberg
de Ojos del testimonio | Jerome Rothenberg, tr. Heriberto Yépez