Articles

Angel's Basic School

d'bi.young anitafrika and black queer divinity

In the beginning there was the word. And the word was “she,” born from her mother like so many other public prayers. d’bi.young anitafrika, daughter of foundational dub poet and scholar Anita Stewart, stands at a lectern that transforms into a pulpit by the first move of her hands (Mac laptop not nearly withstanding). At the same time that anitafrika offers a critique of the repressed lust in the life of the common homosexually active and actively homophobic preacher, she creates a new congregation. 

Social media, for social justice

On Erin Wunker's 'Technological Subjects'

The moment I sat down to write this response to Erin Wunker’s talk “Technological Subjects: Framing McLuhan in the Twenty-First Century” delivered at the November 2014 Avant Canada conference, I caught myself beginning by half-consciously composing tweets instead of carefully crafted, scholarly sentences: “wishes she could time travel back to nov. ’14 as she reads @erinwunker’s provocative piece on McLuhan & social media.” 

Theorizing the alphabet

On Steve McCaffery's 'Nichol's Graphic Cratylism'

Whenever Steve McCaffery talks, he opens areas of and occasions for research into poetry and poetics. Here he enters simultaneously into the career of bpNichol (his sometime collaborator until Nichol’s untimely and tragic death in 1988) and into the fraught question of the origins of written language. Nichol, a prodigiously creative poet and performer, original and boundless, seems to have cultivated a wild and naïve persona, and a casual, open-hearted approach to his multifarious creative occasions. 

Reloading the canon

On Lillian Allen and the history of dub

“Let me ask you to consider the ideological agenda in claiming poetry for one section of society.” Lillian Allen’s provocative performance-talk pierces the business-as-usual of literary communities, literary criticism, and of literariness itself. She reviews the occluded history of dub poetry — a form of performance poetry known for its musicality and its overt politics — and examines its incredible but too-often-unattributed legacies. 

The call to be disobedient

On Michael Nardone

We are at an interesting historical juncture. Governments, acting, as usual, as agents for industry and capital accumulation, are fiddling with the dials controlling communicative acts, trying to squelch (as in “suppress the output” of) the frequencies of dissent, or else simply decreeing them (via legislation, in Canada, like Bill C-51) the noise of terrorism, “full of sound and fury / signifying nothing.”