Articles

CTRL + F

Jordan Abel's 'Injun'

Nisga’a poet Jordan Abel’s 2016 book of poetry, Injun, is a rhetorical analysis of “pulp propaganda” and a decolonizing application of the Tzara-Gysin “cut up.”[1] Put another way, the book ostensibly asks: what if we sent Bernays rafting on the Nass River of Northern British Columbia to toss his Freudian guts out? “It will come to him as his own idea” — as in a dream.[2] 

A fool for a lawyer or a client

On Christian Bök

Something like that. The point is that one should never defend oneself against one’s critics. One’s critics are always right. They may be knee-deep in it, but they are always right.

Monster on the 'L'oose

On Ron Silliman's monsters

I’ve been asked to comment on Ron Silliman’s excellent talk “Your Monsters Are Our Monsters: The Problem of Borders and the Nearness of the American Avant-Garde.” In Silliman’s “L-shaped talk,” the shape itself merits consideration.

Polyvocal affects

Rachel Zolf's 'Janey’s Arcadia' in Winnipeg

Rachel Zolf’s poetry jolts readers from their comfort zone and into a contact zone where they encounter a poetics that is semantically “readable enough” but that conveys its urgency primarily on an affective level through shock, defamiliarization, and a poetics of glitchy error. What Zolf has called “mad affects” are experienced in readerly, textual encounters with her work. They also happen when the text moves off the page and into the realms of the aural, the visual, and the performative.

Spectral rescue

On Jeff Derkson and Louis Cabri

In “Immanence and Affect in Post-Avantgardism: Imagining the Social Subject,” Jeff Derksen and Louis Cabri argue that the contemporary social forms through which “the revolutionary imperative” (Neil Smith) expresses itself compel avant-garde poetry to rethink its historically inherited modes of address, formal organization, and function.