Al Young, Tyrone Williams, and William J. Harris joined Al Filreis in the Wexler Studio to discuss Young and his work. The conversation covered the relationship between Young’s poetry and the Black Arts Movement, the role of music and jazz in his writing, and other figures with whom he was acquainted, such as poets Ishmael Reed and Bob Kaufman. Young spoke of his time at Stanford, where he met Harris; of having resided in various parts of the country; and of the role of writing about lived experiences beyond writing about writing. Young also gave readings of some of his poems: “A Dance for Militant Dilettantes,” “Yes, the Secret Mind Whispers” (which was written in honor of Kaufman), and “January.”
In September 2018 Davy Knittle hosted poet Rodney Koeneke in the Wexler Studio to discuss his book, Body & Glass (Wave Books, 2018). Their conversation touches on Koeneke’s writing process and use of pronouns as a “distancing technique,” the role of poetry — particularly experimental forms — in America today, and how joy might emerge from work about loss. The two also examine the traditions that poetry assembles for itself, drawing comparisons between modernists like Joyce and contemporary poets.
Davy Knittle and Eileen Myles had a conversation at Myles’s home in the East Village in New York City in August, 2018, for this PennSound podcast. Their discussion began in the midst of an exchange about Myles’s 1991 collection Not Me and changes in their neighborhood at the time. Conversation topics spanned “not-me-ness,” gender, capitalism, sexuality, perception, and observation, among others.
Sarah Rose Etter joined Jacket2 editor Julia Bloch in the Wexler Studio last September for a short reading from and discussion of her debut poetic novel, The Book of X, which appeared in 2019 from Two Dollar Radio. Etter and Bloch talked about the impact of open poetics and visual art upon Etter’s prose style, the feminist politics of speculative narrative, the process of fact-checking menstrual blood output, and the etymology of the book’s governing image — among other things.