Argentine poet Dani Zelko was joined in the Wexler Studio at the Kelly Writers House by Jennifer Ponce de León to discuss North Border: forced migrations(Gato Negro, 2019), the latest installment of Zelko’s Reunión project. Zelko and Ponce de León’s conversation explores the Reunión writing procedure as a “reciprocal work,” the book as a political object, migrant and feminist agencies, and artistic production as means to form community.
Wendy Trevino joined hosts Levi Bentley and Ted Rees for this PennSound podcast, the first in a series of intimate conversations in Housework’s transition from reading series to recording series. Conversation topics included Barack Obama’s appearance in Best Experimental Writing 2016, post-arrest listmaking, “unequal collateral,” and further associations drawn from Trevino’s 2018 collection Cruel Fiction.
William Corbett visited the Kelly Writers House in October 2017 for a retrospective reading and conversation with Stan Mir in honor of the poet Michael Gizzi. During his visit, Corbett and I had a conversation in the Wexler Studio about the work of New York School poet James Schuyler, whose Just the Thing: Selected Letters of James Schuyler Corbett edited (Turtle Point Press, 2009). In our conversation, we discussed Schuyler’s early poems, his methods of perception, his fondness for children, his attention to New York and its qualities of light from his apartment window, and Corbett’s long career of teaching Schuyler’s poetry to undergraduate students.
Samantha Giles visited the Kelly Writers House during her reading tour last December to talk with Jenn McCreary about her new collection, Total Recall, which was published by Krupskaya Press and which Daniel Borzutsky has described as a book that “powerfully and strangely melds autobiography, poetry, ethnography, philosophical inquiry, and testimony.”
Ted Rees, who recently relocated from Northern California back to his hometown of Philadelphia, and Ariel Resnikoff, who recently relocated from Philadelphia back to his previous home in Northern California, met up at the Wexler Studio at the Kelly Writers House in October to read from and talk about Ted’s new book, In Brazen Fontanelle Aflame.
Christy Davids returned to the Wexler Studio at Kelly Writers House earlier this year to chat with Sue Landers, whose 2016 book Franklinstein represents a documentary-poetic engagement with the Germantown neighborhood of Philadelphia. At the beginning of Franklinstein, Landers writes that the project began as a “monster” made out of language from Benjamin Franklin and Gertrude Stein.
CAConrad returned to the Kelly Writers House on January 27, 2016, to visit the Wexler Studio to speak with Julia Bloch and to read from ECODEVIANCE: (Soma)tics for the Future Wilderness, which appeared from Wave Books in 2014, as well as a number of new works generated from his ongoing performative and pedagogical practice of somatics and ecopoetics. CAConrad grew up in Pennsylvania and is the author of seven books, including ECODEVIANCE, A Beautiful Marsupial Afternoon, The Book of Frank,and Advanced Elvis Course, all of which explore the place of poetry in social and political life. Eileen Myles wrote in 2010 in Jacket,“he’s the poet who always changes the room he enters. He’s poetry’s answer to relational aesthetics. Which is the movement camped out now at the center of the art world in which the audience becomes the inevitable workings of the piece.”
Conrad was a 2011 Pew Fellow and a 2015 Headlands Art Fellow, and has received fellowships from the Lannan Foundation, the MacDowell Colony, Banff, Ucross, and RADAR. He is currently living in Asheville, North Carolina. Conrad’s commitment to a poetic practice that can manifest change is legible as much on the page as it is in the actions and community workshops he leads around the country.
Brian Teare came back to the Kelly Writers House on October 30, 2015, to speak with Jaime Shearn Coan about his new collection of poetry, The Empty Form Goes All the Way to Heaven, published in 2015 by Ahsahta Press. Shearn Coan describes Teare’s collection as one that imagines “how to language what is un-languageable.” In this PennSound podcast, Teare and Shearn Coan talk about writing out of chronic illness, the book’s engagement with the work of American abstract painter Agnes Martin, and how poetry explores what sorts of shared communal narratives are possible.
We were happy to welcome Brian Teare for this second of two interviews he conducted in the Wexler Studio in spring 2015 (the first being with Rachel Zolf, PennSound podcast #48). Here he interviews Brent Armendinger who was visiting from Los Angeles.