From Deleuze and Guattari’s essay on “Minor Literature” to Alfred Arteaga’s work on Chicanx poetics, theorists have studied the relationship between power and language, describing how creative writers find inventive ways to interrogate monolingual and nationalist logics.[1] Often, personal as well as historical conditions shape an author’s linguistic choices. My interest here lies in how poets use citation and translation as craft techniques in forging poetic languages that challenge powerful configurations and histories.
Poetry for robots
Poetry for Robots, a newly released site from Neologic Labs, Webvisions, and the Arizona State University Center for Science and the Imagination, asks “What if we used poetry and metaphor as metadata? Would a search for ‘eyes’ return images of stars?”