Anne Waldman

'Post-pleistocene relic world'

Alternative communities and writing, part 2

Jaime Groetsema and Amanda Rybin Koob
Book opened to copyright pages. Include title, authors, and publisher details.
Photograph by Jaime Groetsema. Courtesy of Naropa University Archives.

Is it necessary to think about community from an ecological point of view? If so, would our depicted world community be more populated with trees than our current ecological moment?

Naropa archive recording title: Alternative Communities and Writing 
Date of recording: June 09, 2003
Panelists: Anne Waldman (Chair), Eleni Sikelianos, Peter Warshall, Ed Sanders, Marcella Durand, Robin Blaser.

Interlude: Rereading the beginning

Featuring Anne Waldman

Jaime Groetsema and Amanda Rybin Koob
Black and white image of a woman and man holding a large quilt.
Ethel Sampson’s historical quilt from 1937.

Are archives necessarily institutional? Is an archive simply a collection of things representing something? Does it matter if the collection of things is metaphorical, commercial, or virtual? Must the materials of the archive represent an event and must they include a nod to the longevity of narrative and the pursuit of preservation? Is an archive still an archive if it is inaccessible? (I’ve written more specifically about archives and language over at Reconfigurations.)

Jaime Groetsema: Whenever I think about archives or the material culture that could possibly constitute them, I try to define what an archive is.  

Denouement

Anne Waldman

And the day would be proud of itself going on as if it hadn’t already collapsed, had not

been destroyed, riven, all the people mad and metabolically downcast. It’s around the

eyes, they said. It’s around the hearts. The city was reeling. People were coming out to

the street. In the way they wanted to see where the guy lived and boasted so as to mock

April 13, 2018

Voices, lives, and monsters

Kenna O'Rourke

Capsule reviews

Our first capsule reviews of 2017: Voice’s Daughter of a Heart Yet to Be Born by Anne Waldman, Staying Alive by Laura Sims, and Sympathetic Little Monster by Cameron Awkward-Rich.

Our first capsule reviews of 2017 feature three recent poetry titles.

C: A journal of poetry

A collage

Laura Sims
C cover by Joe Brainard
“C” cover by Joe Brainard, courtesy of Fales Library Avant Garde Archive

C: A Journal of Poetry  first appeared in May of 1963, edited by Ted Berrigan and published by Lorenz Gude. It became an influential showcase for the work of New York School poets and artists — like Berrigan himself, along with Ron Padgett, Joe Brainard, Kenneth Koch, James Schuyler, John Ashbery, Dick Gallup, David Shapiro, and others — it was a predominantly male list, though Barbara Guest and a few others (including Alice B. Toklas!) made appearances. The Fales Library has only a partial collection of the journal; all of the images included below are from that archive. To match the scattershot nature of the image collection, this commentary will be a collage of quotes from friends and fellow poets of Berrigan's in Nice to See You: Homage to Ted Berrigan, edited and introduced by Anne Waldman for Coffee House Press in 1991.  

'It felt like many lifetimes'

The last issue of Angel Hair

Laura Sims
Angel Hair 6, cover art by George Schneeman

“Only three years had passed,” Lewis Warsh writes of publishing the journal Angel Hair, “but it felt like many lifetimes.” By 1969, when the last issue of Angel Hair appeared, Warsh and Waldman had begun publishing books--mainly because many of their poet friends needed publishers for their book-length collections, but also because The World, a new magazine published by the Poetry Project, was covering much of the same ground as Angel Hair. “I also felt,” Warsh says, “that we had made our point in trying to define a poetry community without coastal boundaries--a community based on a feeling of connectedness that transcended small aesthetic differences, all the usual traps that contribute to a blinkered pony vision of the world.” 

'A little slice of poetry turf'

Angel Hair archive, continued

Laura Sims
for George Schneeman poem AH issue 3

Angel Hair was born in the “backseat of a car [as we were] driving from Bennington to New York,” Warsh says in his introductory essay to the Angel Hair feature in Jacket. Waldman and Warsh were driving with Georges Guy, a French professor at Bennington, and once they'd made the decision to publish Angel Hair, Guy offered them his and Kenneth Koch's translation of Pierre Reverdy's poem, “Fires Smouldering Under Winter.” The Reverdy poem begins the first issue, and the line, “Could it be enough to speak a word in this abyss,” perfectly captures the gesture of launching a literary magazine.

The Fales Library Angel Hair archive

Laura Sims
Angel Hair 1 Cover

It feels both hugely restorative and humbling, in our age of digital media, to visit an archive and hold a fifty year-old literary magazine, carefully made and preserved, yet still fleetingly physical, in your hand. Anne Waldman, co-editor (with Lewish Warsh) of the small magazine Angel Hair, describes the significance of that experience in this quote from her introductory essay to the 2002 Angel Hair feature in Jacket: “...so-called ephemera, lovingly and painstakingly produced, have tremendous power. They signify meticulous human attention and intelligence, like the outline of a hand in a Cro-Magnon cave.” This “tremendous power” can be applied specifically to Angel Hair, which published the work of Ted Berrigan, Denise Levertov, Joe Brainard, Michael Brownstein, and Warsh and Waldman themselves, among others, early in their lives as poets.

'Cross Worlds'

On 'Transcultural Poetics: An Anthology'

Patrick James Dunagan

Naropa University’s program in poetics has gained near legendary status. The annual summer sessions bring in poets from around the world to teach week long seminars, give readings, and participate in panel discussions. Founded in 1974 in honor of Jack Kerouac by Allen Ginsberg and Anne Waldman, it has long since eclipsed its early beginnings when it was generally taken quasi-seriously as a place for the devoted to study with surviving elders of the Beat generation, et al., while pursuing meditative practice (i.e., “disembodied poetics”) with varying levels of serious intent among participants.

I'm coming up (PoemTalk #76)

Anne Waldman, 'To the Censorious Ones' ('Open Address to Senator Jesse Helms')

PoemTalk

LISTEN TO THE SHOW

Orchid Tierney, Stacy Szymaszek, and Pierre Joris joined Al Filreis to discuss a poem by Anne Waldman sometimes called “To the Censorious Ones” (occasionally with the subtitle “Jesse Helms & Others”) and sometimes in performance called “Open Address to Senator Jesse Helms.” It's been published most prominently in In the Room of Never Grieve: New and Selected Poems 1985-2003 (Coffee House Press; p. 239).

May 1, 2014
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