On October 25, 2016, Edwin Torres and Will Alexander gave a double reading at the Kelly Writers House in Philadelphia, and then joined together in conversation. The program, organized by Edwin Torres in collaboration with the Creative Writing Program at the University of Pennsylvania, was titled “Paradigm Shifting.” The event was recorded and is available in both audio and video. Details of the event are archived at the Kelly Writers House web calendar here. Now, thanks to the efforts of PennSound staff editor Luisa Healey, the recordings have been completely segmented; one can listen to individual poems read by each poet, and the conversation has also been segmented by topic. This new addition can be found on both Alexander’s and Torres’s PennSound author pages.
Wai Chee Dimock, editor of PMLA, published her editor’s comment during fall 2017 on the “education populism” she discerned in several affiliated projects hosted at the Kelly Writers House — among them, PennSound, PoemTalk, ModPo, and the programs offered in the old house at 3805 Locust Walk itself. A PDF copy of the article is available HERE.
Obsidian Blues, to quote Herman Beavers quoting Ralph Angel, is itself “a still life and a way to get home again.” The poems in this powerful collection often present still lives of stilled lives. The speaker can see “Apples. / The way the light / betrays them” in a poem,“Obsidian Blues 43,” about a guitarist whose stringy wail (“strings judding like a systolic ghost swaggering”) sings a song of variation that reqpeatedly requires renaming. One such tentative title is “Still Life with Guitar and Heartstrike”; another is “Landscape with Skull and Banjo.”
On September 9, 2017, at the Kelly Writers House, Herman Beavers read poems from his new book, Obsidian Blues. HERE is a link to the video recording of the event, and HERE is a link to the audio-only recording.
Thanks to PennSound staffer Hannah Judd, a November 2001 reading of Morning Constitutional Michael Magee gave at the Kelly Writers House — with Louis Cabri — has been segmented. Magee's book Morning Constitutional was published in 2001. Publisher's Weekly observed: “A breadcrumb trail of juiced urban monologues, phrasal runs somewhere between Dolphy and Sun Ra, rope-a-dope reports from a guarded ordering bordering on an underdog corner restoration and definitional clarity (a slush fund is dirty money) mark these ante-meridian outings, exercising our rights and outlining the space between our laws.” Magee walked Philadelphia in the mornings and these poems densely record his observations, debris-like.
Michael Magee's book Morning Constitutional was published in 2001. Publisher's Weekly observed: “A breadcrumb trail of juiced urban monologues, phrasal runs somewhere between Dolphy and Sun Ra, rope-a-dope reports from a guarded ordering bordering on an underdog corner restoration and definitional clarity (a slush fund is dirty money) mark these ante-meridian outings, exercising our rights and outlining the space between our laws.” Magee walked Philadelphia in the mornings and these poems densely record his observations, debris-like. The book is still available for purchase. Philip Metres wrote about it for Jacket in May 2003.
Now, thanks to PennSound staffer Hannah Judd, a November 2001 reading Magee gave at the Kelly Writers House — with Louis Cabri — has been segmented.
The poet and translator Yosuke Tanaka visited Philadelphia and the Kelly Writers House in late 2014. The purpose of his visit was threefold: to join a scientific conference on cell biology; to see the Writers House in person after spending much time there virtually as a participant in the open online course called “ModPo”; and to sit down in the Wexler Studio with Ariel Resnikoff to talk about contemporary Japanese poetry.
“Years ago," writes Alyssa Morhardt-Goldstein at LunaLuna on March 3, 2014, "when I would get overwhelmed, I used to call the Kelly Writers House and listen to a poem wherever I happened to be. They feature poets who have read for them, as well as their own faculty and students (the latter at a different extension)." The number is 215-746-POEM (215-746-7636). She also provides information for two other dial-a-poem services.
A new Kelly Writers House podcast is now out (#36 in our ongoing series). In this podcast, we hear an excerpt from an artist's talk by Francie Shaw, whose show was exhibited in our Brodsky Gallery in the late autumn of 2013. For more about the event, click here. To listen to the podcast, introduced by Allison Harris, click here. For a video recording of the full event, click here.
Steve McLaughlin represented the Kelly Writers House on a committee steering the University of Pennsylvania through its “year of sound” (2013-14). Needless to say, sound is right down our audiophilic alley. Steve organized an event as part of the theme year at the Writers House — held on February 4, 2014 — and it featured experimental radio host and producer Benjamen Walker. Audio and video recordings of the full program are available, but today we are releasing a Kelly Writers House podcast, number 35 in the series, that offers a 15-minute excerpt of the hour-plus-long program. The excerpt was edited by Matt Bernstein.
On February 12, 2013, I interviewed John Ashbery in his Chelsea apartment, and moderated a discussion with people gathered at the Kelly Writers House in Philadelphia while hundreds watched via live webcast. The live webcast, of course, was recorded and here is a link to the YouTube recording of the GoogleHangout video. Ashbery was the first of three 2013 Kelly Writers House Fellows, and this was his second time as a Fellow; he is the only writer, in 14 years of the series, to be asked to serve as a Fellow twice. The previous visit was in 2002. On Monday, February 11, the poet met for three hours with students in the KWH Fellows Seminar and then gave a public reading (also available as a recorded webcast). During the reading he performed several poems from his new book, Quick Question, and read two unpublished poems — one of them having been written just a few days earlier.
The artist Zoe Straussspoke for sixteen minutes recently about Bruce Springsteen’s song “Youngstown.” The program notes for the event, and links to video recordings of the individual presentations are available on the Kelly Writers House web calendar. There you have links to 10-minute presentations as follows: Greg Djanikian on “Born in the USA,” Grace Ambrose on “Spirit in the Night,” Dan Sheehan performing “Matamoras Banks,” Max McKenna on “Candy’s Room.” Anthony DeCurtis on “Tunnel of Love,” Matt Chylak performing “Backstreets,” Nate Chinen on “The Promise,” and myself speaking about “Land of Hope and Dreams.” Here again is the link to the Zoe Strauss video: video.