'Idylliad' by Elizabeth Savage
Deborah Poe: In Lyric Postmodernisms, Nathanial Mackey evokes Zukofsky’s lower limit of speech (or “check,” as Mackey refers to it) and upper limit of music in consideration of the lyric. Mackey writes:
Our recent turn toward promoting check over enchantment wants to forget lyric’setymology, as though the art might arrive at a point where there were no strings attached. But strings are always attached, even in the most thoroughgoing doubt or disenchantment.
In Idylliad, Savage engages but inverts the lyric and pastoral, disrupting our expectations of those traditional modes. In doing so, she more deeply engages doubt and (dis)enchantment relative to ideas of property and territory as articulated through poverty and war (the strings).