Reviews - April 2018

'But most by numbers judge a poet’s song'

A review of Randall Couch's 'Peal'

Photo of bells in Uzbekistan (left) by Adam Jones, via Wikimedia Commons. Photo of Couch (right) courtesy of Randall Couch.

“Amongst other Diversions and Recreations practiced by, and delightful to, the Inhabitants of this Island; none is more diverting, ingenious, harmless and healthful, than the ART OF RINGING, used and practiced with Discretion,” writes Fabian Stedman in his 1677 book Campanalogia, or, The Art of Ringing Improved.

“Amongst other Diversions and Recreations practiced by, and delightful to, the Inhabitants of this Island; none is more diverting, ingenious, harmless and healthful, than the ART OF RINGING, used and practiced with Discretion,” writes Fabian Stedman in his 1677 book Campanalogia, or, The Art of Ringing Improved.[1] Stedman is widely considered to be the father of “change ringing,” a practice that emerged in sixteenth-century England when new methods of hanging sets of church bells on whole wheels enabled ringers to control the speed and order in which the bells we

'Walking out the right door'

A review of Richard Blevins's 'The Art of the Serial Poem'

Photo of Richard Blevins (right) by Martha Koehler.

For nearly forty years, the poet Richard Blevins has been a fortuitous and immensely productive figure in contemporary American poetry. Blevins’s project is one securely grounded in the work of his modernist forebears: Ezra Pound, William Carlos Williams, and Charles Olson (whose compass is never far from Blevins’s map of “Amerika”). 

And, words, word, words
all over everything. 
— Charles Olson[1

What exactly are the demands of my art?
— Richard Blevins[2]