A review of Ben Marcus's 'The Flame Alphabet'
The Age of Wire and String (1995), Ben Marcus’s debut collection of stories, gave us the manual for a bizarre and wonderful alternate reality, a “catalog of the life project as prosecuted in the Age of Wire and String and beyond.” As in Raymond Roussel’s Locus Solus or Raymond Queneau’s 1948 novel Saint-Glinglin, important predecessors, Marcus’s alternate universe emerges out of the methodical strangeness of his language. Fabulism and verbal experimentation become mutually entwined. Marcus’s primary method is the imaginary lexicographical definition, and the bulk of The Age of Wire and String might be thought of as a collection of entries from some unreal dictionary. For instance: “Yard, the Locality in which wind is buried and houses are discussed. Fine grains line the banks. Water curves outside the pastures. Members settle into position” (65). Imagined lexicography opens onto imagined anthropology, with impossible rites and technologies described in eerie detail.