Into the Field

hosted by Stephen McLaughlin

Into the Field: Sina Queyras

Sina Queyras is a poet and writer currently living in Montreal. She was raised in western Canada, and has degrees from the University of British Columbia and Concordia University. Queyras has lived in many places and held many jobs, and we talk about the ways geography and work have shaped her poetics. Her poetry collections Lemon Hound (2007) and Expressway (2009) were published by Coach House Books, and her excellent blog is called Lemon Hound.

Into the Field: Andrew Zawacki

I meet Andrew Zawacki in this episode of Into the Field, recorded on the campus of the University of Georgia in Athens. Zawacki teaches in the creative writing program at UGA, and holds degrees from the College of William and Mary, Oxford, the University of St. Andrews in Scotland, and the University of Chicago. His books of poetry are By Reason of Breakings (University of Georgia Press, 2002), Anabranch (Wesleyan University Press, 2004), and Petals of Zero Petals of One (Talisman House, 2009). Zawacki's writing has appeared in The New YorkerThe Nation, and The New Republic, as well as in many anthologies and journals. We talk about his ambivalence toward his role as a "professional" poet, and discuss what he's learned from his students over the years. The show begins with a reading from his long poem "Georgia," which explores his sense of cultural alienation after moving to Athens in 2005.

Into the Field: Ben Friedlander

In this inaugural edition of Into the Field, I talk with Benjamin Friedlander at his home in Bangor, Maine. Friedlander is a poet, critic, teacher, and member of the Flarflist Collective. He currently teaches at the University of Maine. Friedlander reads a selection of poems originally posted on the Flarflist, as well as several from his book A Knot Is Not a Tangle (Krupskaya, 2000). In our interview, he discusses his years spent living in two of the major meccas of experimental writing in recent decades: San Francisco in the 1980s, and Buffalo in the ’90s. We also talk about his use of the tools of Flarf to do the work of elegy, and his interest in widely forgotten poets of the nineteenth century.