It is a truism for the experimental translator that as Google Translate gets better, it actually gets worse. Witness the demise of the ability to "Turn Your Google Translate Into a Beatbox." If you follow the instructions now, you only get a perfunctory recitation of consonants, alas.
Angela Genusa is someone I have only known from afar, via Facebook and email, but I’ve been excited about her work as it engages the relationship between computer programming and writing. This, as other pieces in this column will reveal, is an in-mixing of generic aptitudes I’m excited by. Genusa is one of many writers producing works that would otherwise be impossible without the computer. She’s also the author of a statement (as a facebook status) we like in my household, “from now on people will have to be more interesting than my iPhone,” or words to that effect. Her focus on, knowledge of, and artistic uses of technology have continued to interest me, and I think poets working in that direction are opening up all kinds of possibilities for writing, even for those of us who are less tech-savvy. Genusa’s latest project, which she describes below, is a bibliography of her spam box. I could have asked her about bibliography as a formal choice (and that’s a topic people like she and Tan Lin are interested in, so maybe one day I’ll stage a forum on the topic) but what is there to say about spam? So I asked her: Why spam? Here’s her answer: