Rod Smith

Into the Field: Rod Smith

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Rod Smith is a poet, editor, and publisher from Washington, D.C. He’s a co-founder of Aerial Magazine and founder of Edge Books, which has published titles by Joan Retallack, Anselm Berrigan, Robert Fitterman, Benjamin Friedlander, K. Silem Mohammad, and many others. Smith, along with Friedlander and Mohammad, is a member of the Flarf Collective.

Introduction and commentary on the digital reissue of 'Big Allis'

To mark the occasion of the digital reissue of Big Allis, editors Neilson and Grim have written the following introductory notes alongside commissioned reflections on the magazine by designer Jean Foos and a few of the magazines many contributors.

Melanie Neilson

GOING BIG

The idea of bringing Big Allis to a new readership occurred to me one summer afternoon last year while combing the Jacket2 Reissues archive. I am grateful to Danny Snelson for deeming Big Allis worthwhile to “go big” and be added to the J2 bill. Danny and Amelia Bentley have been artful and meticulous with getting Big Allis safely stored in a user-friendly repository.

Nada Gordon

'I Love Men,' the Flarf Poetry Festival at the Kelly Writers House, February 8, 2007

Nada Gordon at the Kelly Writers House, March 2013
Nada Gordon at the Kelly Writers House, March 2013

There are so many fantastic events catalogued on PennSound, but one that I find myself coming back to time and time again is the 2007 Flarf Poetry Festival at The Kelly Writers House. And I’m not the only one — PennSound Podcasts featured the event in an episode, and PoemTalk featured Sharon Mesmer's “I Accidentally Ate Some Chicken and Now I’m in Love with Harry Whittington” back in 2010.

Flarf poetry festival at the Writers House

Readings by Sullivan, Smith, Mesmer and Nichols

Gary Sullivan and Sharon Mesmer

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Former Kelly Writers House mainstay Mike Magee organized a Flarf Poetry Festival at the House in February 2007. The festival, which was a part of the MACHINE reading series and was cosponsored by Combo Arts Providence, featured seven prominent Flarf practioners who shared their inappropriate, odd, disturbing, and hilarious works. Gary Sullivan, one of the founders of this avant-garde poetry movement, has said that Flarf can be defined as “A quality of intentional or unintentional ‘flarfiness.’ A kind of corrosive, cute, or cloying, awfulness. Wrong. Un-P.C. Out of control. ‘Not okay.’” Sullivan has also said that Flarf is a verb meaning “to bring out the inherent awfulness, etc., of some preexisting text.” Mike Magee’s take on the movement is slightly different — he conceives of Flarf as a “collage-based method which employs Google searches, specifically the partial quotes which Google ‘captures’ from websites.”

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