From Nick Montfort and Stephanie Strickland comes this digital poem, “Sea and Spar Between” — a poetry generator which defines a space of language populated by a number of stanzas comparable to the number of fish in the sea, around 225 trillion. Each stanza is indicated by two coordinates, as with latitude and longitude. They range from 0 : 0 to 14992383 : 14992383. To operate the system, you may:
• move your mouse; • press the spacebar to mark the stanza that is in the center of the screen of that moment, bringing its coordinates into the navigation box at the bottom in order to note them and return to this view; • click your mouse at the right edge of the screen to move right to a new region of texts (to increase the first coordinate); click your mouse at the bottom, left, or top to move similarly in those directions; • tap the arrow keys to move the visible lattice of stanzas up, right, down, or left by a single stanza; • scroll the wheel on your mouse or tap the A and Z keys on the keyboard to zoom in and out; • type a pair of coordinates into the navigation box at the bottom and press enter to move anywhere in the sea of text.
Click here for a description of the process and the sourcetext. Click here to read the poem.
Digital artist Roderick Coover (Temple University), e-poet Nick Montfort (MIT) and e-fiction writer Scott Rettberg (University of Bergen) present an evening of works created through intercontinental collaboration and across media forms. Coover and Montfort will present Currency, a series of 60 second video poems created through writing and image-making constraints and filmed in Puerto Rico, Switzerland, London, Brooklyn and Philadelphia. Montfort and Rettberg will read from Implementation, a novel published on stickers, stuck and photographed around the world; and, Coover and Rettberg will premiere works from the Norwegian Trilogy, a set of video narratives concerning legend, love, plague, volcanic dust and a great flood.
On November 1, starting at 6 PM eastern time, click here and view the live video stream of this event. Or attend in person at 3805 Locust Walk, Philadelphia.
Listen here to an audio announcement about this event.
On March 15, 2011, we celebrated the potential of literatures through the Oulipolooza, a Kelly Writers House-style celebration of all things Oulipo. The OuLiPo, or “Ouvroir de littérature potentielle” (workshop of potential literature), is a group of experimental French poets founded in 1960, devoted to exploring the potential of literature, language and freedom through the lenses of different constraints. Oulipolooza included readings about the Oulipo by Jean-Michel Rabaté and Katie Price, a reception full of Oulipo-inspired foods, and the launch of "An Oulipolooza": a collection of oulipian texts.
A novel, implementation (2006), was published as a series of stickers. It was written (and stuck around) by Nick Montfort and Scott Rettberg.A novel, implementation (2006), was published as a series of stickers. It was written (and stuck around) by Nick Montfort and Scott Rettberg. This site tells you all about it. Now Montfort and Rettberg are planning a coffee-table photo book version. Really. Here are two of their instructions for this new version: "2) Choose interesting places to put the stickers up in public environments and stick them there. 3) Photograph the sticker, attempting to get photos of the sticker both at a close/legible view and from some distance, showing the placement of the sticker in its environment." Here are photos of a sticker stuck in Berkeley.
I read Grand Text Auto as often as I can. It's a "group blog about computer narrative, games, poetry and art." In a new entry, Nick Montfort satirizes Google by showing a black Google home page along with this note: "It warms my heart to see that a major Internet company has turned its Web page black, joining the protest against the Communications Decency Act only 4433 days late."
Charles Bernstein points me (and us) toward Google's blackle which Google claims has saved (at the moment I went there) 536,868.931 Watt hours. Given this rhetoric, I suppose Nick is wrong in thinking Google belatedly red or pink; they're trying to be green.