XCP: Cross Cultural Poetics, 1997–2010 (ed. Mark Nowak)
Reissues is thrilled to partner with Open Door Archive (ed. Harris Feinsod et al.) to cohost the digital afterlife of the extraordinary journal, XCP: Cross Cultural Poetics (ed. Mark Nowak). If ever a journal might inspire elaborate forms of postdigital crossposting, it’s this one. XCP likely needs no introduction to readers of Jacket2. Over thirteen years and across twenty-three stacked issues, XCP forged a network of global poetics and protest rarely seen in an editorial project.
Indeed, few journals have left such a lasting impact on the field of poetry and poetics, not just on the local conversations in the US and the Americas, but in their crosscultural connections to a planetary conception of resistance via poetic practice. In many ways, XCP also bridges the collection here at Reissues: between the ethnopoetics of magazines like Alcheringa and New Wilderness Letter and global poetics projects around the turn of the millennium like Aufgabe and Calque. In league with our colleagues at Open Door, we’ll introduce the journal in its own words, excerpted below and adapted from the XCP about page around the time of the closure of the journal.
As always, full issues are available for download or browsing below. The index to each issue attempts to retain the formatting of the contents as printed in the magazine, including original pagination. Each PDF is fully searchable for easy navigation to individual pieces within the magazine. A special thank you is owed to the brilliant Megan Anderson for her work on XCP — the Reissues side of this partnership would not be possible without her help.
XCP: Cross Cultural Poetics began in the mid-1990s as a journal of social utterance and social inscription that sought to open and engage a dialogue between writers, researchers, and theorists in the creative arts, social sciences, political economy, and cultural studies. Its first issues included an expansive array of new works from emerging and established writers such as Amiri Baraka, Diane Glancy, U Sam Oeur, and Edwin Torres as well as translations of writings from the Spanish, Chinese, Khmer, and Tohono O’odham. Issues during the late 1990s focused on central concerns in social documentation and ethnographic praxis, including features on “Fieldnotes & Notebooks” (XCP no 3), Dialogical Anthropology (XCP no 5), “Documentary” (XCP no 6), and “Everyday Life” (XCP no 7).
In response to the perceived retreat of social movements in post-9/11 America, XCP expanded its concerns to include more creative and scholarly work addressing the articulation of literature and social movements: Bruce Campbell’s essay “Assembly Poetics in the Global Economy: Nicaragua” (XCP no 10, early 2002), reviews of books like Nancy Chang’s Silencing Political Dissent: How Post-September 11 Anti-Terrorism Measures Threaten Our Civil Liberties, and a special “Third Millennium Red” issue in late 2004 serve as examples.
During the second half of the twentieth century’s first decade, we continued to expand our issues (and double issues) with features on “Word” (an XCP-style remake of Raymond Williams’ classic Keywords), a special 20th issue comprised of micro-essays on the theme “Cross Cultural Poetics,” and a final issue of the decade on “South Africa: Literature and Social Movements.” With issue 23, “Social Studies,” founding editor Mark Nowak continued the magazine from a new home at Manhattanville College in Purchase, NY. Issues 24 and 25 on pedagogy and “China: Literature and Social Movements” were planned but never published. Reviewing XCP’s inaugural issue, Juan Felipe Hererra wrote: “Welcome to a Writer’s Manual on how to detonate the Master Axis of Big Brother Narratives.” (Adapted from the XCP About page last accessed Dec 15, 2020)
XCP: Cross Cultural Poetics 1 (1997) [PDF, 81 MB]
Contents
X-Section |
|
|
Amiri Baraka |
What is Undug Will Be |
7 |
|
from Speech |
13 |
|
Re: Port |
14 |
Maria Damon |
When the NuYoricans Came to Town: (Ex)Changing Poetics |
16 |
Lise McCloud |
Mixed American Pak: National Holiday Thunder Chrysanthemum With Pearls & Reports |
41 |
|
|
|
Multilingual and Translated Poetries |
|
|
Solomon Deressa |
fragments form the Horn |
61 |
|
The Poem Sheathed |
67 |
Walker K. Lew |
1983 |
70 |
Ofelia Zepeda |
DA:M KA:CIM HIHIMDAM / Those That Walk The Earth |
78 |
|
JEWED ’I-HOI / Riding The Earth |
82 |
Elizabeth Burns |
el puente / the bridge |
84 |
Diane Glancy |
nahna adulvdi gesvi / of that wanting which is |
85 |
Edwin Torres |
Seeds Sown Long Ago: Are You The Layer? |
89 |
|
Taxi-Toxic-Tiction |
92 |
|
Planet Concertina |
93 |
Alejandro Aura (translated by Forrest Gander) |
from Fuentes |
95 |
|
|
|
Reviews |
|
|
Michael Heller |
Anthropology and Literature |
105 |
Bonnie D. Irwin |
The Dialogic Emergence of Culture |
108 |
Kim Koch |
Fictions of Feminist Ethnography |
112 |
David Michalski |
Things As They Are: New Directions in Phenomenological Anthropology |
118 |
Dan Featherston |
Home Places: Contemporary Native American Writing from Sun Tracks |
122 |
XCP: Cross Cultural Poetics 2 (1998) [PDF, 70 MB]
Contents
History/ In/ Heritance |
|
|
Juan Felipe Herrera |
Cilantroman: A Performance Cocina |
7 |
|
Canto for Chan Ki’n Viejo… |
20 |
Zhang Er (translated by the author and Leonard Schwartz) |
The Fifth Direction |
26 |
Chung Na Yei |
Departure |
28 |
U Sam Oeur |
Work at the Douglas Corporation… |
30 |
|
Neo-Pol Pot: 1979-91 |
34 |
Wai-lim Yip |
Condemned to Cultural Displacements: The Case of Modern China |
38 |
Paul Naylor |
On Certainty (Part Three: Memphis, Capital of North Mississippi) |
51 |
Jeff Derksen |
I Need to Know If This Is Normal |
63 |
Fernand Roqueplan |
Flat, Silent Soda |
76 |
|
A Thousand Cranes |
77 |
|
Fifty-Six Churches |
78 |
Lise McCloud |
Highway 75 |
79 |
Hilton Obenzinger |
Writing (In) the Past |
80 |
Diane Glancy |
The Woman Who Was A Red Deer Dressed For The Deer Dance |
88 |
Victoria Lena Manyarrows |
The Language of Endangerment |
105 |
|
|
|
Reviews |
|
|
Thomas Biolsi |
Routes: Travel and Translation in the Late Twentieth Century |
109 |
Susan M. Schultz |
The Spanish American Roots of William Carlos Williams |
113 |
Yunte Huang |
Modernity at Large: Cultural Dimensions of Globalization |
116 |
Kathleen Stewart |
The Magic of the State |
121 |
Elizabeth Burns |
Panoramas and Cantos to Blood & Honey |
123 |
XCP: Cross Cultural Poetics 3 (1998) [PDF, 92 MB]
Contents
Fieldnotes & Notebooks |
|
|
Che Qianzi |
Hand-Copied Paperback |
7 |
Fred Wah |
from “China Journal” |
12 |
Dhann Polnau |
Notebooks |
27 |
Allison Hedge Coke |
New Flash: Tagging Death |
32 |
Lila Abu-Lughod |
On Photographs, Fieldnotes, and Participant-Observation |
34 |
Mark Nowak |
“Back Me Up” |
42 |
Elaine Equi |
Blue Notes |
72 |
Carolyn Erler |
Notebooks |
75 |
Carolyn Lei-lanilau |
Parabalabia(id): the 21th generation |
80 |
Jack Turner |
Field Report |
98 |
Roger Sanjek |
What Ethnographies Leave Out |
99 |
|
|
|
Reviews |
|
|
David Michalski |
After Writing Culture: Epistemology and Praxis in Contemporary Anthropology |
115 |
Deborah Reed-Danahay |
Rootprints: Memory and Life Writing |
119 |
Paul Naylor |
Paul Metcalf—Collected Works, Volume One: 1956-1976 |
122 |
Hilton Obenzinger |
Paul Metcalf—Collected Works, Volume Two: 1976-1986 |
126 |
Jefferson Hansen |
Paul Metcalf—Collected Works, Volume Three 1987-1997 |
130 |
Tsianina Lomawaima |
Indians and Anthropologists: Vine Deloria Jr. & the Critique of Anthropology |
133 |
Maria Damon |
The Journal of John Wieners / is to be called / 707 Scott Street |
137 |
XCP: Cross Cultural Poetics 4 (1999) [PDF, 96 MB]
Contents
Voyage/Voyageur/Voyeur |
|
|
Kamau Brathwaite |
Scapeghost(s) |
7 |
Terry Temescu |
Itinerary |
28 |
Roy Miki |
fool’s scold, 1.4.97 |
36 |
Piotr Gwiazda |
The Guest of Literature: The Issue of Hospitality in Literary Translation |
40 |
Rachel Blau DuPlessis |
from Draft 33: Deixis |
46 |
Lyle Daggett |
mythology |
51 |
Mariela Gil Sánchez (translated by Jen Hofer) |
Otel sin H |
52 |
Leonard Schwartz |
Elations |
54 |
Ellen Strain |
Hyphenated Anthropologists, Tourist Stand-ins, and the Logic of the Repeat Journey |
60 |
Sandy Feinstein |
Tracked: Costa Rica, Kansas, Peru |
78 |
Juliana Spahr |
gathering palolo stream |
80 |
Gerald Vizenor |
The Elevator Shaman |
84 |
Hank Lazer |
from The Abacos |
93 |
May Joseph |
Asian Mysticism and Soho Chic |
98 |
Edwin Torres |
from Underneath the Southern Cross: The Diary of a Journey |
105 |
Will Alexander |
Water as a Dysphoric Medium |
112 |
|
Mirage Evinced Across the Thalassic |
114 |
|
|
|
Reviews |
|
|
Michelle Stewart |
Delivering Views: Distant Cultures in Early Postcards |
119 |
Stephen Cope |
Close Listening: Poetry and the Performed Word and Sound States: Innovative Poetics and Acoustical Technologies |
123 |
Toral Gajarawala |
Anthropological Locations: Boundaries and Grounds of a Field Science |
128 |
Diane Glancy |
A Long Way from St. Louie |
132 |
|
Blue Marrow |
133 |
Eric Lorberer |
Just In: Word of Navigational Challenges: New and Selected Work |
135 |
Amitava Kumar |
Border Theory: The Limits of Cultural Politics |
140 |
John Bradley |
The Redshifting Web: Poems 1970-1998 |
144 |
David Michalski |
Destination Culture: Tourism, Museums, and Heritage |
147 |
Julia Van Cleve |
Stigmata: Escaping Texts |
150 |
XCP: Cross Cultural Poetics 5 (1999) [PDF, 110 MB]
Contents
Dia/Logos: Speaking Across |
|
|
Guillermo Gómez-Peña & Frederick Luis Aldama |
The New Millennial Xicano: An Interview with Guillermo Gómez-Peña |
7 |
Sianne Ngai |
Orientation |
12 |
Wang Ping |
Chinese Bathroom |
14 |
Eleni Sikelianos |
Essay: 13 Pressure Points Inside The Skull |
22 |
Elaine Pigeon |
Michel Tremblay’s Hosanna and the Queering of National Identity |
23 |
Mickey Jenkins |
Flirt-Wife and Love-Whack, How: |
41 |
John Olson |
Crewel Embroidery |
42 |
George Kalamaras |
Mirrors in the Medulla: A Coroner’s Interview with the Exhumed Corpse of Gerard de Nerval During a Delayed Autopsy |
43 |
Laurie Price |
Tick |
47 |
Rafeeq Hasan |
Slipping into the Easy India… |
48 |
Zhang Er (translated by the author and Susan M. Schultz) |
NuWa Jing Wei (the baby girl, Jing Wei) |
55 |
Sterling Plumpp |
Five Poems |
57 |
John Taggart |
from When The Saints (Part Three) |
73 |
Nathaniel Mackey |
Song of the Andoumboulou: 42 |
90 |
|
|
|
Anthropology/Poetry/Poetics: A Special Nathaniel Tarn Section |
|
|
Nathaniel Tarn |
from Ecce Homo Martin (1983) |
97 |
Shamoon Zamir |
Scandals in the House of Anthropolog: notes toward a reading of Nathaniel Tarn |
99 |
Christopher Funkhouser |
Scandals in the House of Birds: Shamans and Priest on Lake Atitlán (a review) |
123 |
Peter O’Leary |
Rus: An Interview with Nathaniel Tarn |
125 |
|
|
|
Reviews |
|
|
Jessica Cattelino |
Exotics at Home: Anthropologies, Others, American Modernity |
137 |
David Michalski |
The Practice of Everyday Life, Volume 2: Living and Cooking |
141 |
Anna Reckin |
Voice-Over |
145 |
Maria Damon |
Race Traitor 9/Surrealist Issue |
149 |
Jon Spayde |
The Scandals of Translation |
153 |
Jordan Davis |
Review Essay: A. L. Nielsen and Kimiko Hahn |
157 |
Julia Van Cleve |
Deleuze and Guattari: New Mappings in Politics, Philosophy, and Culture |
162 |
XCP: Cross Cultural Poetics 6 (2000) [PDF, 117 MB]
Contents
(Documentary) |
|
|
C.S. Giscombe |
from Inland |
7 |
Ed Pavlić |
“Come on in my kitchen”: Asymmetry, Angularity, and Incremental Repetition in Zora Neale Hurston’s Diasporic Modernism |
10 |
Tirtza Even |
(Documentary) Gallery One |
20 |
Deborah Meadows |
from antiself.doc |
32 |
Jason Nelson |
Unambiguous and Basic |
38 |
|
Seven Series Eight |
39 |
Paul Naylor |
Some Assembly Required: Paul Metcalf’s Rhizomatic Machines |
40 |
Jonathan Monroe |
from Demonsthenes’ Dictionary |
59 |
Everett Hoagland |
dot dis: |
61 |
Christof Migone |
Ricochets, or How the Bullet Skips to the Tune of the Phonograph |
63 |
Walter K. Lew |
from Seoul kihaeng |
77 |
Phil Young |
(Documentary) Gallery Two, “Genuine Indian Burial Site at Starrs” |
80 |
Guillermo Juan Parra |
Ancestors |
96 |
|
Chapoquoit II |
97 |
Mary Kasimor |
Chaplin’s Machinery |
99 |
|
Disembodied Relationship |
100 |
|
Made |
101 |
Mary Weems |
Needles and Pins |
102 |
|
Not Hatred |
103 |
|
Graffiti |
104 |
|
Inspiration |
105 |
Jeffery Renard Allen |
Hush Arbor — for Mahalia Jackson |
106 |
Alan Gilbert |
Poetry and Reportage: Andrew Schelling’s The Road to Ocosingo |
111 |
|
|
|
Reviews |
|
|
David Michalski |
Collecting Visible Evidence |
125 |
Stephen Cope |
Poetic Culture: Contemporary American Poetry between Community and Institution |
129 |
Jefferson Hansen |
Blues Narratives and Jumping the Line |
133 |
Julia Van Cleve |
Gilles Deleuze and the Ruin of Representation |
136 |
Robin Ann Lukes |
The Politics of Fieldwork: Research in an American Concentration Camp |
143 |
Elizabeth Burns |
Collected Poems (Madeline Gleason) and Midwinter Day |
147 |
Michelle Stewart |
Feminism and Documentary and For Documentary: Twelve Essays |
151 |
Chistopher Winks |
Poetic Investigations: Singing the Holes in History |
156 |
Mark Nowak |
Critical Vehicles: Writings, Projects, Interviews and Object to be Destroyed: The Work of Gordon Matta-Clark |
160 |
XCP: Cross Cultural Poetics 7 (2000) [PDF, 119 MB]
Contents
“Everyday Life” |
|
|
Kathleen Stewart |
Death Sightings |
7 |
Diane Glancy |
Tongues |
12 |
|
Velcro |
13 |
|
Retrieval |
14 |
|
I am your true woman, Blinky |
15 |
Harryette Mullen |
X-ray Vision |
16 |
|
Present Tense |
17 |
Wing Young Huie |
“Everyday Life,” Gallery One “Lakestreet, U.S.A.” |
18 |
Michael Sheringham |
Michel de Certeau: The Logic of Everyday Practices |
28 |
John Harvey |
The Decline and Fall of the Silver Glo Motel |
44 |
Rae Armantrout |
The Cell Phone At Your Ear May Not Exist |
45 |
|
Yet |
46 |
Chad Sellers |
from (poverty of such) |
48 |
Ray DiPalma |
August 4—August 7, 2000 |
50 |
Bill Brown |
Henri Lefebvre’s The Production of Space |
52 |
Jamason Chen |
“Everyday Life,” Gallery Two “The Story of the Coat” |
62 |
Mytili Jagannathan |
Twenty-Eight Happy: Seven (Diss)Courses for Emily Z. |
71 |
Justin Chin |
Pandora’s Box of Shrimp Chow-Fun |
75 |
Kamau Brathwaite |
Esplanade Poem |
84 |
Ben Highmore |
‘Opaque, Stubborn Life’: Everyday Life and Resistance in the Work of Michel de Certeau |
89 |
G.E. Patterson |
from New York Suite |
101 |
|
from Give or Take |
105 |
Theodore Enslin |
Moon Change |
108 |
Nicole Brossard (translated by Rosmarie Waldrop) |
Theater: Speed of Water |
114 |
|
|
|
Reviews |
|
|
Christopher Winks |
Édouard Glissant and Postcolonial Theory: Strategies of Language and Resistance [Celia M. Britton] |
123 |
Karlyn Koh |
Faking It: Poetics & Hybridity (Critical Writing 1984-1999) [Fred Wah] |
129 |
Marcella Durand |
Bliss to Fill [Prageeta Sharma] and The Kingdom of the Subjunctive [Suzanne Wise] |
132 |
Vazira Fazila-Yacoobali |
Cultural Compass: Ethnographic Explorations of Asian America [Martin F. Manalansan IV, ed.] |
136 |
Najat Rahman |
Dear Mr. Kawabata [Rashid Al-Daif] and Sherazade: Missing: aged 17, dark curly hair, green eyes [Leila Sebbar] |
140 |
Edwin Torres |
Thunderweavers and Lotería Cards and Fortune Poems [Juan Felipe Herrera] |
144 |
Kelly Everding |
Translating the Unspeakable: Poetry and the Innovative Necessity [Kathleen Fraser] |
148 |
Julia Van Cleve |
Deleuzism [Ian Buchanan] and Proust and Signs [Gilles Deleuze] |
152 |
David Michalski |
The Arcades Project [Walter Benjamin] |
159 |
Roberto Tejada |
Turtle Pictures [Ray Gonzalez] and Point and Line [Thalia Field] |
166 |
XCP: Cross Cultural Poetics 8 (2001) [PDF, 102 MB]
Contents
“Authenticating (Dis)Location/(Dis)Locating Authenticity” |
|
|
Wang Ping |
Mixed Blood |
7 |
Mark McMorris |
Postcolonial “A”? Empire & Nation in Louis Zukofsky’s American Movements, A-14—A-17 |
11 |
Hoa Nguyen |
[Years after stealing cattle from the womb] |
23 |
|
I Woke Up This Morning And It Was Friday |
24 |
|
Mission Dolores |
25 |
|
Lozenge |
26 |
May Joseph |
Hanoi Palimpsest |
27 |
Kazim Ali |
Sughra Kirmani: |
40 |
|
Juan Gris/le livre |
42 |
Taj Jackson |
Flock To |
43 |
Cecilia Vicuña |
[Gallery] |
44 |
Gregory Vincent St. Thomasino |
William |
55 |
Lise Erdrich |
Great Love Poems of the State Hospital |
57 |
Kamau Brathwaite |
Film Studies +2 +3 |
59 |
Everett Hoagland |
language doodle: on a post-lunch napkin |
78 |
Alan Gilbert |
“There’s no center where / similarity would begin”: C.S. Giscombe’s Giscome Road and Here |
80 |
Deborah Richards |
from The Beauty Projection |
93 |
Kenneth Sherwood |
from Mud Tablet (Tableta de barro) |
98 |
Ruth Now |
124 seconds of Surviving the Dustbowl |
103 |
Leslie Scalapino |
from The Tango |
105 |
Rosamond S. King |
Rules of Order |
111 |
|
Indigenous |
113 |
|
(is) there a choice |
114 |
|
|
|
Reviews |
|
|
Huda Seif |
The Pre-Occupation of Postcolonial Studies [Fawzia Afzal-Khan and Kalpana Seshadri-Crooks, editors] |
117 |
Ramez Qureshi |
Discrepant Engagement: Dissonance, Cross-Culturality and Experimental Writing [Nathaniel Mackey] |
122 |
Rafeeq Hasan |
Passport Photos [Amitava Kumar] |
126 |
Lisa Jarnot |
The Wireless Room [Shane Rhodes] and Echo Regime [John Olson] |
130 |
Aldon Nielsen |
Transfigurations: Collected Poems [Jay Wright] |
134 |
Peter O’Leary |
Living Root: A Memoir [Michael Heller] |
137 |
Julia Van Cleve |
(Dis)figurations [Ian Angus] and Empire [Michael Hardt and Antonio Negri] |
142 |
Biodun Iginla |
Edward Said and the Work of the Critic: Speaking the Truth to Power [Paul Bové, editor] |
151 |
Juan Obarrio |
States of Emergency: Documentaries, War, Democracies [Patricia Zimmermann] |
155 |
David Michalski |
The Ends of Globalization [Mohammed A. Bamyeh] and Cultural Studies and Political Theory [Jodi Dean, editor] |
159 |
Maria Damon |
Dyssemia Sleaze [Adeena Karasick] and hovercraft [K. Silem Muhammad] |
163 |
XCP: Cross Cultural Poetics 9 (2001) [PDF, 111 MB]
Contents
Writing (Working) Class |
|
|
Ole Gram |
Left Hook: Brecht, Boxing, and Committed Art |
7 |
Jena Osman |
from Press Scrutiny: The Doubles |
17 |
Curtis Crisler |
Red-Brick Dust |
20 |
|
3 steps over |
21 |
Amiri Baraka |
Wooden Negroes Appear At A Slam |
24 |
|
Rhythm & Rime |
27 |
Tisa Bryant |
from Playing House |
31 |
Paulette Myers-Rich |
Gallery |
40 |
Rodrigo Toscano |
Jukebox Selection, A Brick and Mortar Remembrance (following a conversation with a Local 4-121 pensioner) |
49 |
|
Ideo-Degradable Verses from Immokalee (for Lucas Benitez) |
51 |
|
General Secretary Lula’s Last Stand? |
55 |
Jeff Derksen |
As Ideology: Denaturalized Globalization and Articulatory Poetics |
58 |
Mark Nowak |
$OO / Line / Steel / Train |
66 |
Pauline Butling |
Writing as social practice (Writing Class: The Kootenay School of Writing Anthology) |
85 |
Allison Hedge Coke |
Four Corner Nabs |
93 |
Elizabeth Willis |
Possessing Possession: Lorine Niedecker, Folk, and the Allegory of Making |
97 |
|
|
|
Reviews |
|
|
Johanna Brenner [a review by Rebecca Scherr] |
Women and the Politics of Class |
109 |
Bryan K. Garman [a review by Steven Garabedian] |
A Race of Singers: Whitman’s Working-Class Hero from Guthrie to Springsteen |
114 |
Frank Stanford [a review by Eric Lorberer] |
The Battlefield Where the Moon Says I Love You |
118 |
bell hooks [a review by Gabrielle Civil] |
Where We Stand: Class Matters |
124 |
Michael Perelman [a review by Bill Brown] |
The Invention of Capitalism |
129 |
Juliana Spahr [a review by Elisabeth Frost] |
Everybody’s Autonomy: Connective Reading and Collective Identity |
136 |
Wanda Coleman [a review by Mary E. Weems] |
Mercurochrome |
140 |
J.K. Gibson-Graham, Stephen Resnick, and Richard Wolff, eds. [a review by Mark Soderstrom] |
Re/Presenting Class: Essays in Postmodern Marxism |
146 |
Richard Iton [a review by David Michalski] |
Solidarity Blues: Race, Culture and the American Left |
151 |
Clarence Major [a review by Joel Bettridge] |
Necessary Distance |
156 |
Susan Zlotnick [a review by Deirdre Murphy] |
Women, Writing, and the Industrial Revolution |
160 |
Frances Chung [a review by Heather Nagami] |
Crazy Melon and Chinese Apple |
165 |
XCP: Cross Cultural Poetics 10 (2002) [PDF, 110 MB]
Contents
• Articulation • Alterity • |
|
|
Bruce Campbell |
Assembly Poetics in the Global Economy: Nicaragua |
7 |
Ranjani Neriya |
Transparencies |
29 |
|
Aquarelle |
30 |
May Mahala |
DIVING: “A one-act play” |
31 |
Jeffery Renard Allen |
He Was Like Us: A War Story |
48 |
Theodore Harris & Amiri Baraka |
Gallery |
50 |
Edwin Torres |
Song of the Red Lamb |
58 |
Craig Dworkin |
Five Words In A Stein |
59 |
Ulf Cronquist |
“White Male Heterosexual Author Seeks…”: The Articulation of Queer Performativity Between Men in Leonard Cohen’s Beautiful Losers |
67 |
Rosmarie Waldrop |
We Will Always Ask, What Happened? |
74 |
Frederick Luis Aldama |
An Interview with Ntozake Shange |
75 |
Peter O’Leary |
“Peace On Earth?”: John Taggart’s Poem in Circular Motion |
83 |
John Taggart |
Car Museum |
93 |
Elizabeth Robinson |
The Little Matchgirl |
97 |
Kristina Chew |
Grafting as Comparative Literature: Virgil’s Georgics and Theresa Hak Kyung Cha’s Dictée |
102 |
Bing He |
Untitled Apples |
116 |
Norma Cole |
Like a Fish in a Dumpster |
118 |
Arthur Sze |
The Thermos |
119 |
|
Ice Line |
120 |
|
|
|
Reviews |
|
|
Victor Hernández Cruz [a review by George Kalamaras] |
Maraca: New and Selected Poems 1965-2000 |
123 |
Bei Dao [a review by Wang Ping] |
At the Sky’s Edge: Poems 1991-1996 |
129 |
Bud Schultz and Ruth Schultz, eds. [a review by Mark Soderstrom] |
The Price of Dissent: Testimonies to Political Repression in America |
131 |
Antonio José Ponte; Plays by Julio Matas, Carlos Felipe, and Virgilio Piñera; Reina María Rodríguez [a review by Deborah Meadows] |
In the Cold of the Malecón; Three Masterpieces of Cuban Drama:; La detención del tiempo/Time’s Arrest |
135 |
Alice Notley [a review by Kazim Ali] |
Disobedience |
141 |
Georges Bataille [a review by David Michalski] |
The Unfinished System of Nonknowledge |
147 |
Arjun Appadurai, editor [a review by Jeff Derksen] |
Globalization |
151 |
Jerry Gafio Watts [a review by Aldon Nielsen] |
Amiri Baraka: The Politics and Art of a Black Intellectual |
156 |
Beth Anderson [a review by Rusty Morrison] |
The Habitable World |
159 |
Richard Younker [a review by Patrick Lohier] |
Chicago People |
163 |
XCP: Cross Cultural Poetics 11 (2002) [PDF, 139 MB]
Contents
Writing “Home” |
|
|
Kimiko Hahn |
The Orient |
7 |
|
Utica Station, Dep. 10:07 a.m. to N.Y. Penn Station |
12 |
|
Sparrow |
15 |
Heriberto Yepez |
Babellebab |
23 |
Will Alexander |
from Concerning the Hebane Bird |
37 |
Rodrigo Toscano |
from SATIRE No. 4, “In-Formational Forum Rousers—Arcing” |
45 |
Heather Nagami |
Acts of Translation |
51 |
Yong Soon Min and Allan de Souza |
Gallery |
63 |
Craig Watson |
from Where/As: Ecuador |
73 |
Wang Ping |
Outskirts |
81 |
|
Our Teacher of Marxism and Leninism |
83 |
Nora Ruth Roberts |
Meridel Le Sueur: An interview conducted in the home of Le Sueur’s daughter, Rachel Tilsen, in St. Paul, MN., Summer 1994 |
84 |
Rick Mitchell |
Brecht in L.A. |
100 |
|
|
|
Reviews |
|
|
Roy Miki [a review by Glen Lowry] |
Surrender |
163 |
Peter R. Mitchell and John Schoeffel, editors [a review by Robin Ann Lukes] |
Understanding Power: The Indispensable Chomsky |
172 |
Rodrigo Toscano [a review by Mark Wallace] |
The Disparities |
174 |
Piya Chatterjee [a review by Monika Mehta] |
A Time for Tea: Women, Labor, and Post/ Colonial Politics on an Indian Tea Plantation |
178 |
Caroline Sinavaiana-Gabbard; Francisco X. Alarcón [a review by Sun Yung Shin] |
alchemies of distance; From the Other Side of Night/Del otro lado de la noche: New and Selected Poems |
183 |
Yunte Huang [a review by Eleana Kim] |
Transpacific Displacement: Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature |
187 |
Bhanu Kapil Rider [a review by Kazim Ali] |
The Vertical Interrogation of Strangers |
193 |
Krzysztof Ziarek [a review by Julia Van Cleve] |
The Historicity of Experience: Modernity, the Avant-Garde, and the Event |
197 |
Kamau Brathwaite [a review by Aldon Lynn Nielsen] |
Ancestors; Words Need Love Too |
203 |
Randy Martin [a review by Mark Soderstrom] |
On Your Marx |
211 |
Juliana Spahr [a review by Renee Gladman] |
Fuck You—Aloha—I Love You |
216 |
Chris Kraus and Sylvére Lotringer, editors [a review by Marcus Boon] |
Hatred of Capitalism: A Semiotext(e) Reader |
220 |
XCP: Cross Cultural Poetics 12 (2003) [PDF, 126 MB]
Contents
Ethnographic Past(iche) |
|
|
George E. Marcus |
On the Unbearable Slowness of Being an Anthropologist Now: Notes on a Contemporary Anxiety in the Making of Ethnography |
7 |
Myung Mi Kim |
from Penury |
21 |
Ammiel Alcalay |
from scene of the crime |
27 |
Maria Damon |
Some Discourses on/of the Divided Self: Lyric, Ethnography and Loneliness |
31 |
Adrienne Rich |
This Evening Let’s |
61 |
Kirin Narayan |
Don’t Be Simple, Be Complex |
63 |
Duane Niatum |
Girl with Yellow Monkey-flowers in Her Hair |
67 |
Piya Chatterjee |
Staging A Time for Tea: Theater and Poetry in Writing the Plantation |
72 |
Thien-bao Phi |
FOBulous |
79 |
Tan Lin |
Eleven Minute Painting: Reading Module v 0.1 |
81 |
Nicholas Lawrence |
World Echoes: Caribbeanness as Method |
85 |
Dale Smith |
from The Idealist |
94 |
Mark Soderstrom |
Red Americanism Struggling to Control the Narrative: Conflict, Disjuncture and Patriotism in the Oral Life Story and Trial Documents of a Minnesota Communist |
98 |
|
|
|
Reviews |
|
|
Adam Jones [a review by Bruce Campbell] |
Beyond the Barricades: Nicaragua and the Struggle for the Sandinista Press, 1979-1998 |
109 |
Wendy Rose [a review by Kimberly TallBear] |
Itch Like Crazy |
114 |
E. San Juan Jr. [a review by Charlie Samuyaveric] |
Racism and Cultural Studies: Critiques of Multiculturalist Ideology and the Politics of Difference |
122 |
Elizabeth McHenry [a review by Pamela R. Fletcher] |
Forgotten Reader: Recovering the Lost History of African American Literary Societies |
129 |
Nathaniel Tarn [a review by Peter O’Leary] |
Selected Poems: 1950-2000 |
134 |
Michèle H. Richman [a review by David Michalski] |
Sacred Revolutions: Durkheim and the Collège de Sociologie |
138 |
Ammeil Alcalay [a review by Jane Sprague] |
from the warring factions |
142 |
Edited by Josephine Lee, Imogene L. Lim, and Yuko Matsukawa [a review by Sun Yung Shin] |
Re/collecting Early Asian America: Essays in Cultural History |
147 |
Christian Bök [a review by Christophe Wall-Romana] |
Pataphysics: The Poetics of an Imaginary Science |
150 |
T. Denean Sharpley-Whiting [a review by Gabrielle Civil] |
Negritude Women |
154 |
Hoa Nguyen [a review by Lisa Jarnot] |
Your Ancient See Through |
159 |
Kate A. Baldwin [a review by Christopher Winks] |
Beyond the Color Line and the Iron Curtain: Reading Encounters Between Black and Red, 1922-1963 |
163 |
XCP: Cross Cultural Poetics 13 (2003) [PDF, 112 MB]
Contents
Poets’ Theater/People’s Theater |
|
|
Alan Filewod |
People’s Theatre, People’s Army: Masculinism, Agitprop, Reenactment |
7 |
Beth Cleary |
Break |
21 |
Amiri Baraka |
Skin Trouble: A Play in One Act |
39 |
Beth Cherne |
Taking the Stage: Theatre by and for the Working Class during the Depression Era |
58 |
Sparrow |
At War |
67 |
Gabrielle Civil |
Infestation of Gnats |
82 |
Josephine Lee |
Racial Actors, Liberal Myths |
88 |
Tracie Morris |
Afrofuturistic |
111 |
Bob Holman |
Apocalypse Eternity |
126 |
|
|
|
Reviews |
|
|
Chandra Talpade Mohanty [a review by Anjali Nerlaker] |
Feminism Without Borders: Decolonizing Theory, Practicing Solidarity |
129 |
Kevin Wetmore, Jr. [a review May Mahala] |
Black Dionysus: Greek Tragedy and African American Theatre |
133 |
Nancy Chang and the Center for Constitutional Rights; David Cole and James X. Dempsey [a review Jules Boykoff] |
Silencing Political Dissent: How Post-September 11 Anti-Terrorism Measures Threaten Our Civil Liberties; Terrorism and the Constitution: Sacrificing Civil Liberties in the Name of National Security |
138 |
Max Shachtman [a review Yuichiro Onishi] |
Race and Revolution |
146 |
Kelly Stuart; Pedro Pietri [a review Sun Yung Shin] |
Demonology; The Masses are Asses |
151 |
Texts collected by Dark Star [a review Yedda Morrison] |
Quiet Rumours: An Anarcha-Feminist Reader |
155 |
Emilio Bejel [a review Frederick Luis Aldama] |
The Write Way Home: A Cuban-American Story |
159 |
Amitava Kumar, editor [a review David Buuck] |
World Bank Literature |
162 |
Alan Gilbert |
The Future Is a Wish: Emily Jacir Travels Tight Spaces |
168 |
XCP: Cross Cultural Poetics 14 (2004) [PDF, 123 MB]
Contents
Third Millennium Red |
|
|
Emelihter Kihleng |
Micronesian Diaspora(s) |
7 |
Rod Hernandez |
Pocho-Che and the Production of a Transnational/Transcultural Poetics |
14 |
Rita Wong |
quotidian terror |
39 |
|
agricoda |
40 |
Radha D’Souza |
The World Social Forum Revisited: Back to Basics? |
41 |
Kevin Coval |
hip-hop poetica #1: macro n micro cosmos definite |
46 |
Kamau Brathwaite |
This sweet windperson poem |
48 |
Tyrone Williams |
A Day To Remember |
58 |
|
Another Day In Heaven, Another Day on Earth |
59 |
|
Faux Ersatz |
60 |
Bob Harrison |
macaw, for the island |
61 |
|
American friendly |
63 |
Toni Solo |
The “free trade” history eraser: Honduras, maquilas and popular protest in Latin America |
64 |
Louis Cabri |
After 1923: “The Social Command” |
71 |
Stacy Szymaszek |
auction |
86 |
Sudhanva Deshpande |
A World of Difference |
89 |
Jeremy Cronin |
The Tide Has Turned |
93 |
|
Hypothetically |
94 |
|
Things are not as bad as they say |
95 |
Qadri Ismail |
Towards A Critique of Anthropology |
97 |
Sun Yung Shin |
KUAI-ZI |
117 |
|
|
|
Reviews |
|
|
Ruth Needleman; Mary Margaret Fornow [a review by Peter Rachleff] |
Black Freedom Fighters in Steel: The Struggle for Democratic Unionism; Union Women: Forging Feminism in the United Steelworkers of America |
121 |
Marc Nichanian, editor (with the collaboration of Vartan Matiossian) [a review by Khachig Tololyan] |
Yeghishe Charents: Poet of the Revolution |
126 |
Barbara Foley [a review by Aldon Lynn Nielsen] |
Spectres of 1919: Class and Nation in the Making of the New Negro |
131 |
David Harvey [a review by David Michalski] |
Paris, Capital of Modernity |
134 |
Susie S. Porter [a review by Bruce Campbell] |
Working Women in Mexico City: Public Discourses and Material Conditions, 1879-1930 |
139 |
Laura Elrick; Yedda Morrison [a review by Carol Mirakove] |
sKincerity; Crop |
143 |
Linh Dinh [a review by Jane Sprague] |
All Around What Empties Out |
148 |
Renée Gladman [a review by Maria Damon] |
The Activist |
153 |
Tony Bolden [a review by Pamela R. Fletcher] |
Afro-Blue: Improvisations in African American Poetry and Culture |
157 |
Fred Moten [a review by Christopher Winks] |
In the Break: The Aesthetics of the Black Radical Tradition |
165 |
XCP: Cross Cultural Poetics 15-16 (2006) [PDF, 193 MB]
Contents
State / Capital (No. 15) |
|
|
Giles Goodland |
Working Capital |
7 |
|
Phantom Capital |
10 |
Interview by Sun Yung Shin |
Interview with Grace Lee Boggs |
13 |
Amiri Baraka |
Got Any Change? |
23 |
Kendra Fehrer, Photographs by Lisa Arrastía and Mark Nowak |
Movement of Unemployed Workers |
26 |
Interview with Toty Flores, of the MTD La Matanza, and Juan Golzman, radio broadcaster |
Diario de Redes del Norte: Encuentro de Desocupados 1997 |
31 |
Sabine Bitter and Helmut Weber |
Super Citizen: Caracas, redistributing the city |
41 |
Karen Tei Yamashita |
Bread Machine |
47 |
Clarence Major |
Kiki’s Intersection |
56 |
Kanishka Goonewardena |
What’s in the ‘Full Option’?: On the Passage of Quite a Few Fast Cars Through Some Rather Narrow Streets in Colombo, Sri Lanka |
58 |
Carl Hancock Rux |
Mycenaean |
69 |
Randy Martin |
Self-Managed Colonialism |
71 |
Jeff Derksen |
Searching Out Locations |
98 |
|
If Rubber Gloving You Is Wrong |
100 |
|
Sometimes I Feel Like I’m Tied to the Local Post |
102 |
Zapatista Army of National Liberation |
Zapatista Army of National Liberation: Sixth Declaration of the Selva Lacandona |
104 |
|
|
|
Reviews |
|
|
reviewed by Rita Wong |
Woodsquat |
117 |
reviewed by Rosamond S. King |
Aberrations In Black: Toward a Queer of Color Critique |
122 |
reviewed by Peter O’Leary |
Louis Riel: A Comic-Strip Biography |
127 |
reviewed by David Michalski |
My Cocaine Museum |
137 |
reviewed by Jane Sprague |
Last one out |
142 |
reviewed by Radha D’Souza |
Multitude: War and Democracy In The Age of Empire |
149 |
reviewed by Maria Damon |
Dancing on Main Street and Prayer to Spider Woman/ Reza a la Mujer Araña |
154 |
reviewed by Anjali Nerleker |
Debating World Literature |
163 |
reviewed by Peter Rachleff |
Finally Got The News |
168 |
|
|
|
Word (No. 16) |
|
|
|
|
|
Marie Trigona |
Alavío |
177 |
Juliana Spahr |
Aloha Anger |
178 |
Ammiel Alcalay |
Amateur |
179 |
Mike Gonzalez |
Anti-Capitalism |
180 |
Michael J. Pikus |
Assessment |
181 |
Eleni Stecopoulos |
Autoimmunity |
182 |
Pamela R. Fletcher |
Bad |
183 |
Deborah Richards |
Boo |
184 |
Mark Wallace |
Border Class |
185 |
Anna Reckin |
Breakdown |
186 |
Said Yusef |
Buufis |
187 |
C. Natale Peditto |
Chatter |
188 |
Fred Wah |
Citizen |
189 |
Mary E. Weems |
Colorblind |
190 |
Alan Filewod |
Community |
191 |
A.G. Cruz |
Compañero |
192 |
Eric Elshtain |
Computational Poetics |
193 |
Allison Hedge Coke |
Congenital Memory |
194 |
Giles Goodland |
Consumee |
195 |
Mike Goodman |
Consumption |
196 |
Michael Davidson |
Cosmopolitan |
197 |
David Michalski |
Cosmoplastic |
198 |
Jane Sprague |
Cultural Workers |
199 |
Michael Barnholden |
Dehorn |
200 |
Yuichiro Onishi |
Diaspora |
201 |
Jules Boykoff |
Dissent |
202 |
Phoua Her |
Education |
203 |
Christophe Wall-Romana |
Embarrassment |
204 |
Roger Farr |
Enclosure |
205 |
Greg Hewett |
Eros |
206 |
Tony Trehy |
Eugenics |
207 |
Kristin Prevallet |
Force |
208 |
Dennis B. Teichman |
Forensic Eloquence |
209 |
Lisa Arrastía |
Gangster |
210 |
Max Boykoff |
Global Warming |
211 |
Bruce Campbell |
God |
212 |
Amiri Baraka |
God |
213 |
Salvatore Engel-Di Mauro |
Government |
214 |
Sparrow |
Henry |
215 |
James Thomas Stevens |
Historiscape |
216 |
Heriberto Yépez |
Hybrid |
217 |
Sesshu Foster |
Hypnopompic |
218 |
Deborah Meadows |
Icons, Iconoclasts |
219 |
Frederick Luis Aldama |
Ideology |
220 |
Patrick F. Durgin |
Indeterminacy |
221 |
Ricardo Levins Morales |
Integrity |
222 |
Ted Pearson |
Intellectual Property |
223 |
Peter O’Leary |
Islam |
224 |
Rodrigo Toscano |
“It’s Too Early to Say” |
225 |
Fadumo Adan |
Jihad |
226 |
Ron Silliman |
Journalism |
227 |
Kevin Coval |
Kike |
228 |
Aaron Vidaver |
Lumpenproletariat |
229 |
Amina Haji |
Mahadsanid |
230 |
Jen Hofer |
Manner, Manners |
231 |
Sheila Lloyd |
Melancholia |
232 |
Emelihter Kihleng |
Micronesian |
233 |
kanarinka |
Microperformance |
234 |
Maria Damon |
Micropoetries |
235 |
Piotr Gwiazda |
Migrant |
236 |
David Roediger |
Miserabilism |
237 |
Annee Cha |
Mob Qhoy Quav |
238 |
Idris Goodwin |
Monotical |
239 |
Joel Allegretti |
Mosque |
240 |
Everett Hoagland |
Motherfucker |
241 |
Jennifer Uhlich |
Mundane |
242 |
Fred Ho |
National Oppression |
243 |
Yedda Morrison |
Nature |
244 |
Ethan Paquin |
Neighborhood Plan |
245 |
Rafael Ortiz |
Neoliberalism |
246 |
C. S. Giscombe |
North |
247 |
Paula Rabinowitz |
Object |
248 |
Diane Glancy |
Ou’Wash |
249 |
Rosamond S. King |
Performance, Perform |
250 |
Ed Pavlic |
Phoneme Death |
251 |
Denni Somera |
Privile Giver |
252 |
Carol Mirakove |
Propaganda |
253 |
Roderick Ferguson |
Race |
254 |
John J. Trause |
Real |
255 |
Christopher Winks |
Red |
256 |
David Landrey |
Rendition, Extraordinary |
257 |
Mayra Luna |
Rights |
258 |
Laura Elrick |
Security |
259 |
Robert Fitterman |
Shopping |
260 |
Stephanie Gray |
Slumming |
261 |
Adrienne Rich |
Social Practice |
262 |
Craig Dworkin |
Spectacle |
263 |
Kimiko Hahn |
Spin |
264 |
Reg Johanson |
Standard English |
265 |
Jane Jeong Trenka and Sun Yung Shin |
Supply |
266 |
Don LaCoss |
Surrealism |
267 |
Dennis Formento |
Surregionalism |
268 |
John Landry |
Syphilization |
269 |
May Joseph |
Transpolitanism |
270 |
Sabine Bitter and Helmut Weber |
Transformative Urbanism |
271 |
Jason Evans |
Treaty (Indigenous Treatment) |
272 |
Christine Hume |
Uncanny |
273 |
Frank Cunningham, IBEW Local 134 |
Union |
274 |
Jeff Derksen |
Universal Cultural Imperialism |
275 |
Kevin Nolan |
War |
276 |
Edwin Starr |
War |
277 |
Shana L. Redmond |
War on Terrorism |
278 |
Shyamal Bagchee |
Word |
279 |
Adam Siegel |
Xenography |
280 |
XCP: Cross Cultural Poetics 17 (2007) [PDF, 101 MB]
Contents
Katherine McKittrick |
I Entered the Lists…Diaspora Catalogues: The List, The Unbearable Territory, and Tormented Chronologies |
7 |
M. Nourbese Philip |
Zong! #9-#12 |
30 |
Roger Farr |
Against Stratification: Dorothy Trujillo Lusk’s Ogress Oblige and the Poetics of Class Recomposition |
34 |
Kamau Brathwaite |
Kamau Brathwaite |
50 |
Michael Davidson |
The Dream of a Public Language: Modernity, Manifesto, and the Citizen Subject |
72 |
Fred Wah |
Three Poems |
89 |
Opal Palmer Adisa |
Mother Mushet |
92 |
|
|
|
Reviews |
|
|
Michael Parenti [reviewed by Bruce Campbell] |
The Culture Struggle |
113 |
Kamau Brathwaite [reviewed by Christopher Winks] |
MR: Magical Realism (2 vols.) & Born to Slow Horses |
118 |
Retort (Iain Boll, T.J. Clark, Joseph Matthews, Michael Watts) [reviewed by Mark Wallace] |
Afflicted Powers: Capital and Spectacle In A New Age of War |
127 |
Translated by Peter Green [reviewed by John Bradley] |
The Poems of Catullus |
131 |
Joseph H. Lake, Jr. [reviewed by Peter Rachleff] |
Friendly Anger: The Rise of the Labor Movement in St. Martin |
135 |
Aldon Lynn Nielsen and Lauri Ramey, editors [reviewed by Maria Damon] |
Every Goodbye Ain’t Gone: An Anthology of Innovative Poetry by African Americans |
140 |
David E. Lowes [reviewed by David Michalski] |
The Anti-Capitalist Dictionary: Movements, Histories & Motivations |
144 |
XCP: Cross Cultural Poetics 18 (2007) [PDF, 91 MB]
Contents
…News That Stays… |
|
|
Adrienne Rich |
Three Poems |
7 |
Jaswinder Bolina |
Novel |
18 |
Rodrigo Toscano |
First Box: A Poetics Theatre Play |
21 |
Paula Boniolo and Rodolfo Elbert |
A working class theory of corruption: Thematic analysis of workers’ ideas about corruption and its consequences |
36 |
Amiri Baraka |
“There are some soldiers” |
48 |
Bill King |
Blasting Damage |
49 |
Kenny Tanemura |
Mao Poems |
51 |
Patricia Smith |
For Jermaine, Six, Dead in Boston |
57 |
Barbara Jane Reyes |
Story Fragments and Process |
58 |
Duriel Harris |
Self-Portrait in Desire |
61 |
Mani Rao |
Airing at a sniff |
63 |
Wayde Compton |
Loxodromic |
64 |
Tyrone Williams |
“Apparently I am picking fights”: Cultural Studies and Poetics Mix It Up in Taylor Brady’s Yesterday’s News |
66 |
Rachel Blau DuPlessis |
Draft 79: Mass Observation |
78 |
Renee Gladman |
from The Event Factory |
84 |
Stephen Mooney |
from District Line Project (Proxy Central Park) |
91 |
Victor Garcia |
Señor Sanchez Quotes Himself |
93 |
Kao Kalia Yang |
from The Latehomecomer |
94 |
|
|
|
Book Reviews |
|
|
Peter Barry [reviewed by Piers Hugill] |
Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court |
113 |
Jonathan Beller [reviewed by Christophe Wall-Ramona] |
The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle |
118 |
Tiya Miles [reviewed by Lisa Arrastía] |
Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom |
123 |
[reviewed by Allan Kolski Horwitz] |
Is There ‘New’ Poetry in Post-Apartheid South Africa? |
132 |
Stephen Duncombe [reviewed by Jules Boykoff] |
Dream: Re-Imagining Progressive Politics in an Age of Fantasy |
145 |
XCP: Cross Cultural Poetics 19 (2008) [PDF, 106 MB]
Contents
“Yet Citizen Are You?” |
|
|
Scott Bear Don’t Walk |
Two Poems |
7 |
Larissa Lai |
from Goodbye Butterfly, Hello Kitty: An Opiate Opera |
10 |
Kim Duff |
The Spatial Logic of Louis Cabri and Rodrigo Toscano’s Urban Poetics |
22 |
Oliver Ressler |
Globalizing Protest (Geneva, 6/2003) |
41 |
Kimiko Hahn |
Questions for Calliope |
46 |
Diane Glancy |
When the Language Parted |
53 |
Anne Waldman |
Two Poems |
58 |
Oliver Ressler |
Globalizing Protest (Edinburgh, 7/2005) |
73 |
Bhanu Kapil |
from “Humanimal: A Project for Future Children” |
77 |
Kazim Ali |
Cairo |
85 |
Edwin Torres |
I Am Trying To Perfect My Assént |
92 |
Oliver Ressler |
Globalizing Protest (Rostock, 6/2007) |
95 |
Shamoon Zamir |
Neo-Hoodoo: Proposals for a Literary History |
100 |
|
|
|
Reviews |
|
|
Haun Saussy, editor [reviewed by Christopher Winks] |
Comparative Literature in an Age of Globalization |
135 |
Rachel Zolf [reviewed by Joel Bettridge] |
Human Resources |
141 |
John David Rhodes [reviewed by C. Natale Peditto] |
Stupendous, Miserable City: Pasolini’s Rome |
147 |
Alan Gilbert [reviewed by Stephen Cope] |
Another Future: Poetry and Art in a Postmodern Twilight |
151 |
Marc Falkoff, editor [reviewed by Maria Damon] |
Poems from Guantánamo : The Detainees Speak |
155 |
XCP: Cross Cultural Poetics 20 (2008) [PDF, 122 MB]
Contents
Kazim Ali |
The Poetics of Islam |
5 |
Amiri Baraka |
Black Power in Newark |
8 |
Susan Briante |
“I Did Not Marry Mary Todd” Webs, Red Ink, Highways Laid With Headstones, and Cross-Cultural Investigative Poetics. |
18 |
Maria Damon |
State, Condition |
23 |
Jeff Derksen |
The Idea of Cross-Culture |
27 |
Patrick F. Durgin |
Towards a Post-Ableist Poetics |
32 |
Laura Elrick |
De-Sublimated Multi-Lingualisms |
37 |
C. S. Giscombe |
Rollsigns/Notes on Transit |
41 |
Diane Glancy |
On My Way From One Place to Another in the Sandhills of Central Nebraska on Highway 183 in a New Car With 1016 Miles the Day After I Turned in the Old Car With 198,589 Miles or the Importance of Cross-Cultural Poetics |
44 |
Kimiko Hahn |
Feelings—? |
47 |
Duriel Harris |
Interdiscourse(s): Poetics & The Cross Cultural (Experiment in Brief) |
49 |
A. A. Hedge Coke |
Sway Value: Cross Cultural Poetics |
54 |
Bhanu Kapil |
Notes on Failure: A Short Essay on Cross-Cultural Poetics |
59 |
Larissa Lai |
Cellular Archive, Landed Militant: Poethic Notes on Asianted Futures |
64 |
Francesco Levato |
from War Rug |
67 |
Farid Matuk |
The Ungrammatical People: Minstrelsy, Love |
80 |
Joyelle McSweeney and Johannes Göransson |
Find Us With The Lemurs: Disability and the Språkgrotesk |
84 |
Deborah Meadows |
Notes Toward a Theoretical Exploration of “Contradictions. Irony. Sentimentality.” |
89 |
Aimee Nezhukumatathil |
Parrotfish, Pachyderms, and Poetry: Writing While Traveling |
93 |
Yuichiro Onishi |
Afro-Asian Solidarities and the “Circle of Culture” |
97 |
Mani Rao |
Stretch |
102 |
Barbara Jane Reyes |
On Feminism, Women of Color, Poetics, and Reticence: Some Considerations |
107 |
Juliana Spahr |
from The Incinerator |
113 |
Jane Sprague |
A Poetics of Dissent: Labor and IT Exigencies |
118 |
Celina Su |
I Am Your Electric Fan: Or, 13 Ways to Look at a Purported Heart |
122 |
Edwin Torres |
Seeker-Crossing in the Age of Glass Machines |
129 |
Rodrigo Toscano |
To Become Super-Solid |
132 |
Azareen Van der Vliet Oloomi |
Cross Cultural Poetics: Thought-Trafficking and the Plagued Text |
138 |
Fred Wah |
Music at the Heart of Thinking 135: The Score |
143 |
Christophe Wall-Romana |
Intersentience (Crimes of the Obvious) |
147 |
Mary E. Weems |
Echoes: A X-Cultural Response to Guy Senese’s Throwing Voices |
153 |
Tyrone Williams |
Problems and Promises of Actually Existing Cross Cultural Poetics |
161 |
Christopher Winks |
Many Cultures to Cross |
168 |
Rita Wong |
XC-Poetics, or Toward 90 Addresses for a Poem |
173 |
Kao Kalia Yang |
The Relationship of Cross-Cultural Poetics |
180 |
Rachel Zolf |
A Tenuous We: Writing as Not-Knowing |
182 |
XCP: Cross Cultural Poetics 21-22 (2009) [PDF, 226 MB]
Contents
South Africa: Literature and Social Movements |
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|
Priya Narismulu |
“All have joined in the struggle”: The Literature of the United Democratic Front in South Africa |
9 |
Sabelo Mlangeni |
All photographs by Sabelo Mlangeni |
47 & ff. |
Zine Magubane |
“Can We AS Mother Not Take Our Fight to the Enemy?”: The Politics of Motherhood in South African Autobiography |
48 |
Pumla Dineo Gqola |
“As women we have multiple lives, and we need to honour all of them”: A conversation with Makhosazana Xaba |
76 |
Sekibakiba Peter Lekgoathi |
Usable Past: Language, Oral Tradition, Song, and the Mobilization of Nothern Ndebele Ethnicity in Post-Apartheid South Africa, 1994-2004 |
85 |
Victoria J. Collis-Buthelezi |
“A Native Venture”: Sol (Solomon Tshekisho) Plaatje, Defining South African Literature |
118 |
Vuyisile Msila |
The new voices: Poetry as social commentary in the post-Apartheid South Africa |
138 |
Botsotso Jesters |
Poetic Script II, III, IV |
157 |
Devarakshanam Govinden |
The Mahatma, the Text, and the Critic |
163 |
Osita Ezeliora |
The South African Novel after Apartheid: Mphahlele, Mzamane, and Oliphant on the Idiom of Transition |
191 |
Pumla Dineo Gqola |
“Pushing out from the centre”: (Black) feminist imagination, redefined politics and emergent trends in South African poetry |
214 |
Kelwyn Sole |
“I have learned to hear more acutely”: Aesthetics, Agency and the Reader in Contemporary South African Poetry |
240 |
Dennis Brutus |
Sequence for Mumia Abu-Jamal and I Salute the Jacarandas Anyway |
268 |
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Reviews |
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|
Martin Murray [reviewed by N. Nieftagodien] |
Taming the Disorderly City: The Spatial Landscape of Johannesburg after Apartheid |
273 |
Richard Pithouse, editor [reviewed by Peter Rachleff] |
Asinimali: University Struggles in Post-Apartheid South Africa |
280 |
[reviewed by Simon Lewis] |
Poetry and Protest: A Dennis Brutus Reader & Seasonal Fires: New and Selected Poems (Ingrid de Kok) |
286 |
Xolela Mangcu [reviewed by Ashley Gunter] |
To The Brink: The State of Democracy in South Africa |
293 |
Boaventura de Sousa Santos, editor & Andrea Cornwall and Vera Schattan Coelho, editors & Xavier de Souza Briggs [reviewed by Celina Su] |
Democratizing Democracy: Beyond the Liberal Democratic Canon & Spaces for Change?: The Politics of Citizen Participation in New Democratic Arenas & Democracy as Problem Solving: Civic Capacity in Communities Across the Globe |
297 |
XCP: Cross Cultural Poetics 23 (2010) [PDF, 111 MB]
Contents
Social Studies |
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|
Tyrone Williams |
New Criticism and the Civil Rights Movement : : Identity Politics and the Liberal Arts |
9 |
Soham Patel |
Three Poems |
30 |
Kate Eichorn |
Multiple Registers of Silence in M. NourbeSe Philip’s Zong! |
33 |
John-Michael Rivera |
Sahagun’s Encyclopedia |
40 |
Hilton Obenzinger |
from How We Write: The Varieties of Writing Experience (w/ Renato Rosaldo, Diane Middlebrook, David Henry Hwang, and Larry Susskind) |
50 |
Don Mee Choi |
1950 June 28: The Fall of Seoul |
59 |
Mahmoud Darwish (translated by Saifedean Ammous) |
from In Praise of the High Shadow |
60 |
Adrienne Rich |
Two Poems |
64 |
Philip Metres |
“We Build a World”: War Resistance Poetry in/as the First Person Plural |
68 |
Cara Benson |
from spreek |
79 |
Aldon Lynn Nielsen |
Sit-in at Bullworth’s |
83 |
Arisa White |
lion woman |
89 |
Amish Trivedi |
The Military Band Organ at the Slater Park Carousel |
92 |
Jake Wilhelmsen |
the lion in wait |
94 |
Patricia Smith |
Two Poems |
103 |
Timothy Yu |
Forgotten Capital: Touring Berlin with John Yau and Bill Barrette |
105 |
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Book Reviews |
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|
Teresa L. Ebert [reviewed by Bruce Campbell] |
The Task of Cultural Critique |
119 |
Manuel Maples Arce (trans. Brandon Holmquest) [reviewed by Lindsey Freer] |
City: Bolshevik Super-Poem in Five Cantos |
124 |
Philip F. Rubio [reviewed by Peter Rachleff] |
There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality |
129 |
T.R. Reid & Jason Corburn [reviewed by Celina Su] |
The Healing of America: A Global Quest for Better, Cheaper, and Fairer Health Care & Toward the Healthy City: People, Places, and the Politics of Urban Planning |
136 |
Fred Moten & Douglas Kearney [reviewed by Maria Damon] |
B Jenkins & The Black Automaton |
144 |
C.L.R. James (ed. and with an introductionn by Noel Ignatiev) |
A New Notion: Two Works by C.L.R. James |
149 |
Ara Shirinyan [reviewed by Ellen Welcker] |
Your Country is Great: Afghanistan—Guyana |
154 |
Slavoj Zizek [reviewed by Mark Soderstrom] |
First as Tragedy, Then as Farce |
159 |