urban space

On Eilzabeth Willis's 'Address': (queer) space and the chrononormative

Writing puts texts in space. The procedural language of critical synthesis is inherently spatial. Thinking about connections between texts, or the bringing of texts together in an essay, simulates the positioning of objects in space. Often, writing makes texts architectural — it uses them to build, and uses the metaphorics of building. I want to use this essay to write between Elizabeth Freeman’s Time Binds and Doreen Massey’s Space, Place and Gender, texts seminal to queer temporality and to feminist geography, respectively.

On Rachel Levitsky's 'Neighbor': scale / urban systems / representation

Rachel Levitsky’s 2009 poetry collection, Neighbor, takes up the relationship between neighbors as it occurs between people in an apartment building who share walls and floors, but also as it affords other intimacies. Levitsky’s figure of the neighbor contains the idea of the neighbor (a person who lives near you, and whose proximity can produce a mutual, if fragmentary, knowledge of one another’s quotidian lives) alongside neighborliness at a range of competing and simultaneous scales. 

Rachel Levitsky’s 2009 poetry collection, Neighbor, takes up the relationship between neighbors as it occurs between people in an apartment building who share walls and floors, but also as it affords other intimacies. Levitsky’s figure of the neighbor contains the idea of the neighbor (a person who lives near you, and whose proximity can produce a mutual, if fragmentary, knowledge of one another’s quotidian lives) alongside neighborliness at a range of competing and simultaneous scales. In one poem called “Neighbor,” Levitsky writes,

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