Jose Antonio Villarán’s Open Pit asks how to write a catastrophe whose immanence is dissipated across space and time. Tracking the poet’s research on transnational extractivism in the Peruvian mining town of Morococha, Open Pit essays a poetics of Rob Nixon’s “slow violence,” catastrophes (being products of human choices) which play out across scales that defy a pinpointed “there.” Writing in Davis, CA, to a young son in Philadelphia about research in Morococha, Peru, Villarán sets a network of places as actants, grafted onto variable patterns of placement on the page, carving tracks of space for the words of people interviewed in Morococha, descriptive language on the products of research, and autobiographical first- and second-person verse.
Open Pit was published by Counterpath Press in 2022. The Spanish Tajo Abierto will be published in June 2023 by Álbum del Universo Bakterial in Lima, Peru.
Susan Briante’s Defacing the Monument is a hybrid creative-critical text that explores the possibilities for documentary poetics to interrupt injustice.
During this time of slowed publication, we at J2 want to highlight some books from our (digital) reviews shelf. Today’s title on our radar: Defacing the Monument, by Susan Briante (Noemi Press, 2020). If you’d like to submit a review of this title for consideration, please let us know: jacket2.org/contact
[Text of image above: “From Noemi Press: ‘[Defacing the Monument is] an attempt to bear witness to what happens to those who do not hold the “correct” documents as a way to show texts always bear the marks of power. Part documentary act, part lyric essay, part criticism, Defacing the Monument enacts the possibilities and limits of documentary impulses.’”]
In 1936, just a year after winning the Yale Younger Poet’s Prize, the twenty-two-year-old Muriel Rukeyser arrived in Gauley Bridge, West Virginia, the site of one of the worst industrial disasters in United States history, to work on her next poetry project.
'You' and the poetics of slow violence
Reading Jose Antonio Villarán's 'Open Pit: A Story About Morococha and Extractivism in the Américas'
Jose Antonio Villarán’s Open Pit asks how to write a catastrophe whose immanence is dissipated across space and time. Tracking the poet’s research on transnational extractivism in the Peruvian mining town of Morococha, Open Pit essays a poetics of Rob Nixon’s “slow violence,” catastrophes (being products of human choices) which play out across scales that defy a pinpointed “there.” Writing in Davis, CA, to a young son in Philadelphia about research in Morococha, Peru, Villarán sets a network of places as actants, grafted onto variable patterns of placement on the page, carving tracks of space for the words of people interviewed in Morococha, descriptive language on the products of research, and autobiographical first- and second-person verse.
Open Pit was published by Counterpath Press in 2022. The Spanish Tajo Abierto will be published in June 2023 by Álbum del Universo Bakterial in Lima, Peru.
“I want to be there with you and i’m not”