Susan Briante

This is not.

Infographic by Daniel Donner and Stephen Wolf, from How Gerrymandering Can Swing Elections by Stephen Wolf, DailyKos.

April 13, 2018

In 1936, just a year after winning the Yale Younger Poet’s Prize, the twenty-two-year-old Muriel Rukeyser arrived in Gauley Bridge, West Virginia, the site of one of the worst industrial disasters in United States history, to work on her next poetry project.

April 21, 2014

Recently in Jacket2

Milton Resnick 1917–2004 / four poems recovered

Jerome Rothenberg

[Milton Resnick was a very visible and dynamic artist when we met him in the early 1960s, but beyond that he was also a persistent practitioner of poetry, less in a public sense than as a release for ideas and feelings that were a necessary supplement to his life’s work as a painter.

Continuing a body

A review of Bhanu Kapil's 'entre-Ban'

Colin Lodewick

Bhanu Kapil (right) with Lucas de Lima at Kelly Writers House, September 27, 2016. Photo by Writers House staff.

“What is Ban?” The poet imagines an answer, asserting (among other things) that Ban “is a warp of smoke.”

Bhanu Kapil’s 2015 book Ban en Banlieue is a novel of meandering lists. The second (and largest) section of the book, titled “Auto-sacrifice (Notes),” is one such list, and it includes other lists within itself. The notes are less notes than collapsed vignettes offering insight into historical trauma and the creative process of articulating harm both physical and emotional. The notes work together to create a ragged narrative, one that seems contingent on a certain character — “Ban” — but also independent in itself.

Mikhl Likht, from 'Procession IV'

Proem and Poem [Adam Kadmon], with endnotes

Jerome Rothenberg

The translation of Likht’s “Every New Poet: Proem” will appear in Global Modernists on Modernism, a two-hundred-thousand-word anthology of texts — manifestos, essays, prologues, statements, forewords, letters, etc — by modernists across the arts, with an emphasis on texts that reflect on the theory and/or practice of modernism in a range of national, transnational, indigenous, regional, diasporic, and stateless contexts.

Translation from Yiddish by Ariel Resnikoff and Stephen Ross

[Every New Poet: Proem]