Ryan Sheldon

Nice Dream?

Heriberto Yépez: Allegory and radical mimesis

Still from Voice Exchange Rates. Walter Benjamin notes that the image of the skull is especially fit for allegory in that it poses “not only the enigmatic question of the nature of human existence as such, but also of the biographical historicity of the individual.”

“Talk-It,” the speaker-cum-software bot of Heriberto Yépez’s video-poem “Voice Exchange Rates,” describes itself as a technology “designed to help poetry return to the righteous path of the avant-garde” by automating the poetic endeavor: the program reads, translates, and composes in a variety of languages and registers in accordance with the preferences of its human user.

Heriberto Yépez, Voice Exchange Rates, 2002. Is unoriginality already the preferred condition of USAmerican experimentalism?

February 5, 2016

Recently in Jacket2

Jerome Rothenberg: December 11, 1931 – April 21, 2024

A Reflection from Amish Trivedi

Jerome Rothenberg

Well, we’ve come to our end here. Somehow, in the hundreds of hours of phone calls and emails and late nights and breakfasts after, Jerry and I had never once discussed what might happen to this space once he passed away. We have even published a number of obituaries for friends of Jerry’s over the years. I’m not entirely convinced, sitting here writing at 3am, that Jerry thought I’d be left with this task — and not the other way around.

Also I don't suffer (PoemTalk #195)

Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"

PoemTalk

LISTEN TO THE SHOW

Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.

April 17, 2024

Digital Poetics 1

The Self Does Not Exist

William Lessard

When I look for a place to start our discussion, I am reminded of a website from a few years ago. With the ominous address “thispersondoenotexist.com,” the site presents a single face filling the screen, with another face replacing it every time the user presses “ENTER.” No commentary or introductory text is offered, but a quick search returns cautionary news articles written when the site launched in 2019. The site is the work of a former NVIDIA engineer who created a custom A.I. that generates faces in real time from images scraped from social media platforms.