Alan Davies

Messing with your head

A review of 'Insolvency, Insolvency!' by Jeremy Hoevenaar

Photo of Jeremy Hoevenaar (left) courtesy of Alex Teschmacher.

It’s only words that tell us what to do. If we listen. Insolvency, Insolvency! doesn’t tell us what to do / but it does tell us how to listen / and when. If we listen.

A vacancy one knew

Or: shallows of content; or: casuistry

I have chosen this book / simply because I happen to have come upon a copy of it / but I’m taking it to be fairly representative of Ashbery’s later poetry / by which I would indicate the books that have appeared since Flow Chart (published in 1991 / and succeeded by a new book of lyric poetry every couple of years).

Witness Hannah Weiner

Some precursors to the visual prosody of 'clair-style' writing

The southern New Critics bequeathed to generations of American English students a reductive but serviceable distillation of poetics into versification, fickly defining prosody as according to an obviously conservative set of lyric values. But “the new criticism” was a phrase coined by Joel Spingarn, whose impressionistic depiction of poetry carried little of the taxonomic and finally deadening thrust of “close reading.” Close reading had to do with hearing (the inner voice) and looked at a page only closely enough to take a strictly alphabetic set of cues. This kind of inspection could be quickly learned and reading poetry thereby could be easily tested.