Kenneth Irby reads "Given: Three Beavers in a Tree," a 2 minute, 49 second recording made at Irby's 1984 Ear Inn reading. He also read several poems by Mary Butts and well as his own "Gutter Ode" and several others of his own poems. Thanks to Anna Zalokostas for segmenting this recording for the first time. The whole thing can be found at Ken Irby's PennSound page.
In January 1998, during a reading at the Ear Inn in New York, Eileen Myles read a poem called "Snakes." We recently "found" this poem in that reading; it hadn't been segmented and we just didn't know "Snakes" was one of the poems Myles read that day. I for one am glad of the find. It's quite an interesting poem: story-like but defiant about its story-ness, to say the least. A kind of kunstlerroman, a portrait of this particular artist as a young girl. And not surprisingly it plays with and against the powerful gendered associations of snake. Here is a link to the recording of the poem. And here is the text of the poem as it once appeared in The Massachusetts Review (in 1998).
We at PennSound have now segmented the entire audio recording made of the Barbara Guest Praise Day Tribute at The Bowery Poetry Club, October 21, 2006. These people performed selections of Guest's poems, offered interpretations of them along with reminiscences: Lewis Warsh, Marcella Durand, Charles Bernstein, Africa Wayne, Charles North and Erica Kaufman. The event was hosted by Kristin Prevallet. Anna Zalokostas has nicely arranged all the readings on our Barbara Guest author page. Lewis Warsh, for instance, remembered Guest in connection with The New American Poetry of 1960. Africa Wayne read "Negative Possibility." Charles North read "Roses." Lytle Shaw read "Sante Fe Trail." And much more.
I hope readers of this blog can forgive me for gushing about PENNsound's William Carlos Williams page. There you'll find links to every recording of Williams that has been found so far. For the moment, most of the poetry readings he gave are available in single recordings (not broken up by poem), but we have been able to clip the longer files and produce five versions of WCW reading "This Is Just to Say." Each is a downloadable mp3, so click away and enjoy: 12345. And here is the text of that famous poem.
In one of Jack Spicer's now-famous lectures in Vancouver, 1965, he discusses (and commends) the "serial poem." After a while he takes questions, and someone asks him whether Wallace Stevens didn't indeed write serial poems--perhaps "Notes toward a Supreme Fiction" is one? Spicer's response is fascinating. I've taken the long audio recording of the whole lecture, and selected just the discussion about Stevens. The whole lecture can be found on Spicer's PENNsound page and the excerpt (3:27) can be heard here: mp3.
Thanks to the efforts of Anna Zalokostas, we at PennSound have now segmented every one of the readings by Jackson Mac Low for which we have recordings. Through this work we re-discover that Jackson read four sections of Forties at the Ear Inn in '92; that in 1995 at a Little Magazine seesion he read "This Occasion, a Poem for John Cage after his 79th birthday"; that at a Radio Reading Series Project session in 1998, he explained Forties and discussed how he applied the diastic method to Pound's Cantos; that he read "Baltimore Porches" at the Ear Inn in '82...and much more. Have a look at our newly revised Jackson Mac Low author page.
We at PennSound are pleased to say that Charles Olson's reading from the Maximus poems at Beloit College has now been segmented. He read for 50 minutes total from many sections of the long work. Here is your link.
In this video clip, watch and hear Juliana Spahr read from her work, "The Incinerator." The clip is 8 minutes long and was prepared for our PennSound YouTube channel: http://www.youtube.com/user/pennsound. There are now 118 videos uploaded to PennSound on YouTube.
Cole Swensen was a guest on Leonard Schwartz’s radio program, “Cross-Cultural Poetics,” back in January. Thanks to Henry Steinberg, now PennSound offers a segmented recording of the reading and discussion. Swensen offers a reading of “A Garden Is a Start” and then takes a few minutes to talk about the style of that poem. She reads “If a Garden of Numbers” but we are also treated to her discussion of the geometry of Le Notre gardens, of gardens taking dominion over nature, of fountains as a public commodity. (The readings were from her recent book, Ours.) It’s all here — available as of just yesterday. By the way, I’m happy to say that Leonard Schwartz was here at the Writers House this fall (9/23/10) — and was also a guest on PoemTalk.