On July 1 and again on July 11 in 1974, Michael Koehler recorded Larry Eigner reading twenty-seven of his poems in Swampscott, Massachusetts. The recordings were later released by S Press, as tape number 37 in their series, under the title Larry Eigner: around new / sound daily / means: Selected Poems. A number of university libraries — and of course individuals — own copies of the recording; but it is fairly rare at this point. Among the libraries with a copy is the special collections archive at the University of Connecticut, where the tape was apparently part of the materials Cid Corman gave them to form the Corman Papers there. I located the Eigner recording in the Corman finding aid, asked the UConn librarians to copy it for us at PennSound. (Many thanks for Melissa Watterworth Batt, curator of Literary, Natural History and Rare Books Collections there.) Soon after, with permission from Richard Eigner, Larry's brother and the executor of the poet’s literary estate, we digitized, uploaded and then segmented the recording into individual poems. They are now available for both streaming and downloading at PennSound’s Eigner page.
PennSound has just made available 104 recordings made at the Ear Inn in the early 1990s. These include recordings by Cabri, Child, K. Davies, A. Davies, Derksen, Dewdney, DiPalma, DuPlessis, Farrell, Fitterman, Fodaski, Foster, Fyman, Gander, Gizzi, Goldsmith, Frim, Heller, Hixon, Hoover, Inman, Kalendeck, Killian, A. Kim, Kocik, Kraut, Levy, Lewis, Lubeski, Lusk, Lyons, Mac Low, Matthews, Messerli, Myles, Neilson, O’Brien, Pearson, Price, Raworth, Regan, Rettallack, Richard, Roberson, Rosenfeld, Rower, Sala, Shaw, Sirowitz, Smith, Tillman, Toscano, Venuti, K. Waldrop, R. Waldrop, Wallace, Wheeler, C.D. Wright, J. Williams, Ziolkowski, Zivancevic, Zurawski, and more.
Working with our PennSound audio files, Jhave Johnston has created a prototype mashup machine that enables on overlay of poets’ sounds, with an option to turn on WEAVE, which senses silence (e.g. between lines or stanzas in a performance) and automatically intercuts from one short file segment to another, creating a flow of shifting voices. “I always figured,” says Charles Bernstein, my co-director at PennSound, “that once we had a substantial archive of sound files, the next phase would be for people to use them in novel ways.” “Reminds me,” says Michael S. Hennessey, PennSound’s editor, “of one of my favorite things to do with the site before we switched to the current streaming codec, which doesn't allow for simultaneous play: pull up a few author pages — best of all Christian Bök — and start layering tracks over his cyborg opera beatboxing.” Jhave adds: “My motivation for building it is similar to Michael's: a joy in listening to things overlap.”
We at PennSound have been especially busy in the past few months. Today seemed like the right day to take a look back to our recent acquisitions. So on the front page of Jacket2, in the PennSound box, we published a list of, and links to, these new recordings. You can also have a look at the list here.