An interview with Leevi Lehto
Editorial note: This interview is part of a feature curated by a.rawlings, “Sound, Poetry”; it began with a request for material on sound poetry as it is currently being practiced in northern Europe. “Sound, Poetry,” however, accomplishes much more than reportage. Poets from Iceland, Belgium, Finland, the Netherlands, and the United Kingdom converse with a broad array of Canadian interlocutors; some have even created new work together specifically for this feature. Here, a.rawlings explains the project:
A term like “sound poetry” may no longer adequately contextualize or clarify what it is intended to represent. It seems a useful moment in the history of this term to reflect on what it means, conjures, describes, encapsulates, and wishes to hold within its reach. It seems personally useful to reflect on the relationship between gender and sound poetry. It feels politically responsible to consider this term in relation to geography.