Oana Avasilichioaei

Oana Avasilichioaei’s practice is concerned with textuality, polylingual poetics, the social and political forces/voices of the polis, and the intermediary spaces between word, sound, and image, exploring the transgressions of these terrains through poetry, translation, performance, and sound work. Her five poetry collections include We, Beasts (Wolsak & Wynn 2012, winner of the A. M. Klein Prize for Poetry) and Limbinal (Talonbooks 2015), a hybrid, multigenre poetic work on notions of borders, and her current book/beyond-the-book project is Eight Track (upcoming 2019), a poetic, sonic investigation of the multifold meanings of track and tracking. Also a translator, her most recent translation of Bertrand Laverdure’s Readopolis (BookThug, 2017) won the 2017 Governor General Literary Award. Based in Montreal, she is the 2018 Audain Visual Artist in Residence at SFU in Vancouver.

By this author

Before the cataclysm

C's Garden

Sound I polypoetry

from Gossip in the Valley

Recently in Jacket2

Wolgamot & Me: In Memoriam Keith Waldrop

Charles Bernstein

Keith Waldrop discovered John Barton Wolgamot’s 1944 poem, IN SARA, MENCKEN, CHRIST AND BEETHOVEN THERE WERE MEN AND WOMEN while browsing in a bookshop, as he recounts here. The poem was to remain a touchstone for him both its poetic power but also as a icon of how quixotic our poetic achievement are.

Excavating intimacies

A review of Siwar Masannat’s ‘cue’

Georgiana de Rham

From left to right: the cover of “cue,” Siwar Masannat.

Siwar Masannat is a Jordanian writer, poet, educator, and editor currently based in Milwaukee. cue, Masannat’s second book of poetry, emerges from her engagement with Akram Zaatari’s project Hashem El Madani: Studio Practices, which brought El Madani’s compelling photographs of community members in Saida, Lebanon, to a global audience.

cue
Siwar Masannat
University of Georgia Press 2024, 82 pages, $19.95, ISBN 9780820365978

Your voice in my mouth (PoemTalk #201)

Trish Salah, "The Voice" & "Detoured Come Tomorrow"

PoemTalk

LISTEN TO THE SHOW

Kay Gabriel, Syd Zolf, and Levi Bentley joined Al Filreis in the Wexler Studio of the Kelly Writers House to discuss two poems by Trish Salah. The poems can be found in Lyric Sexology Volume 1: “Interlude 4: The Voice” and “Detoured Come Tomorrow.” Lyric Sexology was published by Metonymy Press in 2017. The poems can be read HERE. Our recordings of Trish Salah performing these poems comes from an interview conducted by Christy Davids in the same Wexler Studio February 10, 2017. You can hear the poems and the entire conversation at Salah’s PennSound page. This episode of PoemTalk was co-curated by Al Filreis and Syd Zolf.

October 22, 2024