Michael S. Hennessey

Editor

Michael S. Hennessey is the editor of PennSound and editor (with Julia Bloch) of Jacket2. His scholarly writing on sound, media and poetry has appeared in The Salt Companion to Charles Bernstein (Salt Publishing, 2012), PoemTalk, Audiobooks, Literature, and Sound Studies (Routledge, 2011), The Journal of Electronic Publishing, Interval(le)s, and English Studies in Canada, and is forthcoming in The Journal of Beat Studies and Mine Is Clouds: 17 Writers on the Life and Legacy of Richard Brautigan.

Recent poetry publications include NOON, Jacket, EOAGH, Elective Affinities, Jupiter88, Zen Monster, Brighton Approach: Gold Edition, and Horse Less Review, along with Leonard Schwartz’s radio program Cross Cultural Poetics and the chapbooks Last Days in the Bomb Shelter (17 Narrower Poems) and [ static ]. You can listen to a number of recent readings on his PennSound author page.

By this author

Poetry in 1960, a symposium: Question and answer session

On Daisy Aldan, 'A New Folder'

Three poems

Recently in Jacket2

Wolgamot & Me: In Memoriam Keith Waldrop

Charles Bernstein

Keith Waldrop discovered John Barton Wolgamot’s 1944 poem, IN SARA, MENCKEN, CHRIST AND BEETHOVEN THERE WERE MEN AND WOMEN while browsing in a bookshop, as he recounts here. The poem was to remain a touchstone for him both its poetic power but also as a icon of how quixotic our poetic achievement are.

Excavating intimacies

A review of Siwar Masannat’s ‘cue’

Georgiana de Rham

From left to right: the cover of “cue,” Siwar Masannat.

Siwar Masannat is a Jordanian writer, poet, educator, and editor currently based in Milwaukee. cue, Masannat’s second book of poetry, emerges from her engagement with Akram Zaatari’s project Hashem El Madani: Studio Practices, which brought El Madani’s compelling photographs of community members in Saida, Lebanon, to a global audience.

cue
Siwar Masannat
University of Georgia Press 2024, 82 pages, $19.95, ISBN 9780820365978

Your voice in my mouth (PoemTalk #201)

Trish Salah, "The Voice" & "Detoured Come Tomorrow"

PoemTalk

LISTEN TO THE SHOW

Kay Gabriel, Syd Zolf, and Levi Bentley joined Al Filreis in the Wexler Studio of the Kelly Writers House to discuss two poems by Trish Salah. The poems can be found in Lyric Sexology Volume 1: “Interlude 4: The Voice” and “Detoured Come Tomorrow.” Lyric Sexology was published by Metonymy Press in 2017. The poems can be read HERE. Our recordings of Trish Salah performing these poems comes from an interview conducted by Christy Davids in the same Wexler Studio February 10, 2017. You can hear the poems and the entire conversation at Salah’s PennSound page. This episode of PoemTalk was co-curated by Al Filreis and Syd Zolf.

October 22, 2024