Al Filreis convened J.C. Cloutier, Rita Barnard, and M.C. Kinniburgh to talk about a poem by Gregory Corso, “Vision of Rotterdam.” The poem records or remembers a moment of encounter and geo-historical reflection that took place in September 1957; the reflection casts the poet’s visionary eye upon the German bombings of cities in the Netherlands of 1940. Corso performed and recorded the poem in 1969 — at Fantasy Studios on Natoma Street in San Francisco, 1969. This recording is included among others at PennSound’s Corso page. Thus the PoemTalk group concludes that we are dealing with a convergence of three crucially distinct times: wartime 1940; Cold War-time (and Beat time) 1957; anti-war (post-)Beat 1969.
J. C. Cloutier, Michelle Taransky, and Clark Coolidge joined Al Filreis to talk about Jack Kerouac’s Old Angel Midnight, a sprawling work of prose poetry consuming forty pages of the Library of America Kerouac: Collected Poems. A recording of Kerouac performing the first page is available here. His model was Joyce’s Finnegans Wake. Up late in the Low East Side, he listened for sounds coming through a tenement window from the court below and made words of them. Such making is the plot of the book. The effort sometimes results in what Clark Coolidge has called “babble flow.” Old Angel Midnight is an interlinguistic record of voices augmented by “neologisms, mental associations, puns and wordmixes” and “nonlanguages.”