Janus Pannonius

Janus Pannonius Grand Prize for Poetry to Charles Bernstein and Giuseppe Conte

The 2015 Janus Pannonius Grand Prize for Poetry has been awarded to Charles Bernstein and Giuseppe Conte. The prize was founded in 2012 by the Hungarian PEN Club (an affiliate of International PEN). In 2014, Yves Bonnefois (France) and Adonis (Syria) won the prize, which is modelled on the Nobel Prize for Literature. In 2013 the prize went to Simin Behbahani (Iran). The prize was announced on the Janus Pannonius web page. The web page includes an English pdf about the prize.

Video and photo documentation of the prize events and ceremony here.

An English translation of the laudation (presentaton speech) by Enikő Bollobás is here.; the full essay from which the speech is excerpted is here. Pictures of the ceremony and reaidng are here.

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Cry me a makar

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Every flower a reminder (PoemTalk #202)

Harryette Mullen, "Chasing Dirt"

PoemTalk

From left: Laynie Browne, Harryette Mullen, Simone White

LISTEN TO THE SHOW

Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.

November 20, 2024

The &vs. (andverse) of the Gurlesque

Becca Klaver

Electric Gurlesque, like the first edition of the anthology, is centered on an idea of the Gurlesque as a feminist aesthetic that emerges most prominently in American women’s poetry at the turn of the 21st century. The braided strands of the Gurlesque — which the subtitle of the first edition identified as “grrly,” “grotesque,” and “burlesque”— come together to form one complex aesthetic strategy, and also suggest the diverse avenues of inquiry pursued by the essayists in this section.

The following is the Preface to the Essays from the new anthology Electric Gurlesque published by Saturnalia Books in 2024. The complete anthology can be found here.

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