Approaching realness in Frank Stanford
Frank Stanford is an anachronism in late twentieth-century poetry. Like many of his southern contemporaries, much of his work is driven by a narrative impulse — his poems nearly always have stable, embodied speakers; they tend to use fairly normative syntax; they generally feel grounded in a particular geographic location; and they’re concerned with identity, memory, and depicting external action.
Renee Gladman's 'Event Factory'
If epic is a story of the community for the community, then Event Factory asks the contemporary reader to consider: How does one tell the tale of the community now? In the place of a sure narrative about a place and its people, Renee Gladman’s text presents ambiguities — palpable, permeating, and resonant — that refuse to resolve or settle.