Note: The following essay grew out of a talk given at the conference Les archives sonores de la poésie: Production, conservation, utilisation/Recording in Progress: Producing, Preserving and Using Recorded Poetry, which was organized by Céline Pardo (Paris–Sorbonne), Abigail Lang (Paris–Diderot), and Michel Murat (Paris–Sorbonne) at Université Paris Sorbonne, November 25, 2016. Many thanks to Garrett Caples for his help and scholarship, and to Richard O. Moore’s daughter, Flinn Moore Rauck, for her invaluable help and generosity. — Olivier Brossard
Note: The following essay grew out of a talk given at the conference Les archives sonores de la poésie: Production, conservation, utilisation/Recording in Progress: Producing, Preserving and Using Recorded Poetry, which was organized by Céline Pardo (Paris–Sorbonne), Abigail Lang (Paris–Diderot), and Michel Murat (Paris–Sorbonne) at Université Paris Sorbonne, November 25, 2016.
Conference report: 'Outside-in/Inside-out,' a festival of outside and subterranean poetry
Author: Ellen Dillon
[The following conference report chronicles — “for the record” — the range of events at last year’s Outside-in/Inside-out festival of outside and subterranean poetry in Glasgow. The starting point, of course, was Barbaric Vast & Wild (Poems for the Millennium, volume 5, Black Widow Press, 2013), coedited by myself & John Bloomberg-Rissman — a small move toward what John and I were calling, unabashedly, an omnipoetics. (J.R.)]