East Village Other, from Pritchard, “The Vein,” 1968
Thanks to David Grundy for this Pritchard update:
After years of neglect, 2021 was an auspicious year for the work of N. H(Norman) Pritchard II, with the long-awaited reprinting of his two published volumes, The Matrix: Poems1960–1970 and EECCHHOOEES by Ugly Duckling Presse/Primary Information and DABA Press respectively. In July, Jacket2 published a 1978 interview with Pritchard conducted by Judd Tully, providing an acute insight into Pritchard’s philosophy, and a far more detailed biographical picture than has been previously available. Nonetheless, there are still many gaps to fill in. In particular, Pritchard’s extensive writings and visual artworks remain unpublished. The following note provides a brief outline of these writings based on available evidence in the hope of contributing to our ongoing sense of Pritchard’s legacy. A forthcoming article will expand on some of this in more detail.
Note: Weatherly published relatively little from the mid-1970s on, his occasional appearances in little magazines mainly making up the poems eventually printed in short history of the saxophone (2006).
Maumau American Cantos, Tom Weatherly’s first collection of poetry, possesses one of the best titles for a book of any decade of the twentieth century, and perhaps even for the century as a whole. Yet, three years after his death, his work remains almost completely ignored. In this essay, primarily via readings of poems from the Maumau Cantos, I will hope to show why such neglect is borderline criminal.
Maumau American Cantos, Tom Weatherly’s first collection of poetry, possesses one of the best titles for a book of any decade of the twentieth century, and perhaps even for the century as a whole. Yet, three years after his death, his work remains almost completely ignored. In this essay, primarily via readings of poems from the Maumau Cantos, I will hope to show why such neglect is borderline criminal.[1]
I want to know every thing about the universe. I get a little pissed when I realize won’t live long enough, even a thousand years not enough time. I will learn what I can. — Tom Weatherly on Facebook
Note: Victor Bockris and Andrew Wylie conducted a series of interviews with numerous contemporary American poets during the early 1970s, published in various venues. The playful style of the interview with Weatherly is typical of these. (These interviews were collected for a book to be titled The Life of Poetry in 1973, but the book never appeared in print.
Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices). The immediate occasion was a statement made by Ted Wilentz, Weatherly’s coeditor for the Natural Process anthology, in his introduction to that volume.
Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices).
Note: In 1970, Weatherly and Ted Wilentz coedited an anthology of African American poetry titled for the workshops Weatherly had been running from East Harlem for the past few years: Natural Process. A fixture on the New York scene, Wilentz and his brother Eli co-owned the Eighth Street Bookstore at 32 West 8th Street in New York.
Note: The uncollected texts printed here date from the same period as Tom Weatherly’s Maumau American Cantos (1970) and Thumbprint (1971), and include a number of additional cantos that were not published in the former collection.
David Grundy: 'mistish liftings'
N. H. Pritchard manuscript notes
Thanks to David Grundy for this Pritchard update:
After years of neglect, 2021 was an auspicious year for the work of N. H(Norman) Pritchard II, with the long-awaited reprinting of his two published volumes, The Matrix: Poems 1960–1970 and EECCHHOOEES by Ugly Duckling Presse/Primary Information and DABA Press respectively. In July, Jacket2 published a 1978 interview with Pritchard conducted by Judd Tully, providing an acute insight into Pritchard’s philosophy, and a far more detailed biographical picture than has been previously available. Nonetheless, there are still many gaps to fill in. In particular, Pritchard’s extensive writings and visual artworks remain unpublished. The following note provides a brief outline of these writings based on available evidence in the hope of contributing to our ongoing sense of Pritchard’s legacy. A forthcoming article will expand on some of this in more detail.