Cybele Lyle

Refraction as resistance (ii)

[image: Capone, Cha, Philip, Walker, Kim, Lyle]
Capone, Cha, Philip, Walker, Kim, Lyle

Some artists cannot afford to believe that aesthetics are not inextricably tied to politics. In my final post of the series, I continue summarizing the significance of artists who, in giving expression to their visions of truth and meaning, ultimately resist normative discourses by refracting status quo representations of the world.

II. Refraction as Resistance: A Poetics of Non-linear 

Deviating, shifting, indirect, crooked paths, “constant state of motion, dispersion, and permeability.”  

Refraction as resistance (i)

[image: collage capone, cha, philip, walker, kim, lyle]
Capone, Cha, Philip, Walker, Kim, Lyle

I began with an accumulation, a sense of something, and this question: What is the significance of refractive poetics’ for artists who identify with the margins or address alternative modes of seeing?

Cybele Lyle: Transfiguring space

Refracting rooms, architectures, frameworks

[image: Cybele Lyle, The Moon is Slowly Rising]
Cybele Lyle, The Moon is Slowly Rising

This week I continue considering the implications of refractive poetics for artists who address issues of social identity. Cybele Lyle works with sculpture, photography, video, and projection, addressing themes of architecture, location, and space:

The spaces I create—queer, safe, architectural, and emotional—form a critically reconstructed mirror of reality, an alternative environment in which all forms of intimacy are allowed to be visible. I use social and visual material of my own life to represent spaces of transformative potential and desire.

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