PennSound podcast #63: Allison Cobb and Brian Teare with Julia Bloch, Knar Gavin, and Aylin Malcolm
Allison Cobb and Brian Teare joined Julia Bloch, Knar Gavin, and Aylin Malcolm in the Wexler Studio at the Kelly Writers House on April 2, 2019, following their lunchtime discussion with scholars and poets from Penn’s Poetry and Poetics and Anthropocene and Animal Studies reading groups. Our discussion ranged from human embeddedness in the nonhuman world to the relationship between poetic duration and historiography to the role of affect in poetry that seeks to reckon with the ever intensifying ecodisasters of our time.
June 17, 2019
Questioning the gender of textiles
At the On Kawara show at the Guggenheim New York, at the New Museum downtown, in the MoMA’s contemporary galleries, and its “The Forever Now: Contemporary Painting in an Atemporal World” exhibit, I notice many instances of a poetics of making situated in textiles. This is exciting to notice, and it may have been there all along. It is my awareness that has changed. Pictured above, for example, is an obvious seam: a crucial sewn element in the work of contemporary painter Oscar Murillo, whose installation I will write more about in this commentary.