Laura Mullen

Paying to be fooled

Laura Mullen in conversation with Benjamin Morris

From left to right: Laura Mullen, Mullen’s new book “EtC,” and Benjamin Morris.
From left to right: Laura Mullen, Mullen’s new book “EtC,” and Benjamin Morris.

EtC takes as its subject an iconic bovine mascot who has lived one of the longest and strangest lives of any corporate emblem in history — and whom Mullen here examines in a collection that serves equally as send-up, as critique, and as lament, but above all as trip through the capitalist funhouse: a trip in which, with the knives out and sharpened, we discover there is very little fun to be had after all. 

Having recently returned to school as a mature student, once a week I drive from New Orleans, Louisiana, to Jackson, Mississippi on my way to campus, about a three-hour drive. Most of my commute takes place along Interstate 55, along which I often see a truck from one of the Sanderson Farms chicken plants in nearby Hammond, Louisiana, or McComb, Mississippi. These trucks are loaded up with thousands of live birds, their crowded cages stacked ten rows high and twenty rows deep, likely on their final journey ever taken in the open air. 

Sustained and heightened

Laura Mullen on 'Complicated Grief'

Note: Laura Mullen’s Complicated Grief was published by Solid Objects in November 2015. Composed of eight sections, these lyrically unsettled and unsettling prose poems take the reader across multiple modalities of romantic/sexual love (or what passes in that guise), prying open the silence and shame of love’s aftermath, or its “complicated grief.” After a preface, “Demonst(e)ration,” Mullen begins in the immediate collapse of a relationship (or several), lovers coming apart, then moves to fairy tale as cultural premise and on to Jane Eyre, archetypal Little Red and Grandma, a harrowing memoir of molestation, the toxic revenge of Ms. Havisham the jilt, and, finally, the virulent grief of another jilt, Terry Barton, who set the Colorado Hayman Fire of 2002 that killed six people and burned 138,000 acres.

On the convergence of war and wedding (PoemTalk #70)

Laura Mullen, 'Bride of the New Dawn'

LISTEN TO THE SHOW

Amy Paeth, Michelle Taransky, and Steve McLaughlin met up with PoemTalk’s host Al Filreis to talk about one of the poems in Laura Mullen’s book Enduring Freedom: A Little Book of Mechanical Brides (Otis Books, 2012). Enduring Freedom is a coherent project; its poems constitute a series — a number of approaches to the problem of war’s strange but also surprisingly obvious and true convergence with weddings (and wedding planning in particular). The poem we chose is “Bride of the New Dawn.” Our recording of Mullen’s performance of the poem comes from a reading she gave in October 2012, in Berkeley, as recorded by Ross Craig; it was a reading in which she read fifteen of the Enduring Freedom poems.

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