Chapter 2 of my current book project — titled 1960: The Politics & Art of the Avant-garde — is about the delayed (post-traumatic) response to the mass killings of World War II precisely fifteen years later. Here, in presenting one section of this long chapter, I'm not going to describe in any detail why I think it took fifteen years before such a reckoning could occur. As I did my research and reading, I did discern such a rather sudden interest, saw it in fact everywhere. In this section I turn to a certain revival of Kafka in 1960. From this one can probably get a sense of the larger argument.
In The Human Condition (1958), Hannah Arendt describes three central human activities: labor, work, and action. Labor “corresponds to the biological process,” and includes anything we do to keep ourselves and others alive: food production and preparation, cleaning, childbirth. Work is whatever contributes to the “world of things,” the made world: craftwork, construction, city planning, but also the creation of works of art and of laws.
In The Human Condition (1958), Hannah Arendt describes three central human activities: labor, work, and action. Labor “corresponds to the biological process,” and includes anything we do to keep ourselves and others alive: food production and preparation, cleaning, childbirth. Work is whatever contributes to the “world of things,” the made world: craftwork, construction, city planning, but also the creation of works of art and of laws. So what is action?
Playing with translation is learning about one’s own language, one’s own history, how it came to be that certain words emerge from the mouth. I was working this morning on a wee project from last August, started after a research group meeting (working together on the question What is production?) where we considered Hannah Arendt and, inevitably, Heidegger.
The New York Times lead, for a story published in 1995: "One of the gossipy curiosities of 20th-century philosophy is that Hannah Arendt, the German-born Jewish philosopher remembered for her fierce and unforgiving attacks on totalitarianism, had a youthful fling in the 1920s with Martin Heidegger." Here is a link to that story, and here's a response to the matter by Aharon Meytahl.
The Kafka revival of 1960: Guilt, absurdity, forestalled post-trauma
Chapter 2 of my current book project — titled 1960: The Politics & Art of the Avant-garde — is about the delayed (post-traumatic) response to the mass killings of World War II precisely fifteen years later. Here, in presenting one section of this long chapter, I'm not going to describe in any detail why I think it took fifteen years before such a reckoning could occur. As I did my research and reading, I did discern such a rather sudden interest, saw it in fact everywhere. In this section I turn to a certain revival of Kafka in 1960. From this one can probably get a sense of the larger argument.