Four Horsemen

Imaging the voice

Notating poetic vocalization

Back cover image for 'Open Letter' (Sixth Series, no. 1: Spring 1985)

In the mid-1980s, Open Letter — Canada’s defunct and dearly missed journal of theory and poetics — dedicated five issues of the journal to notation for poetry and language. Each installment of this series contains a range of texts that intersect with the idea of notation to explore topics including reading, rhythm, composition, documentation, and performance. 

“Notation is a set

of instructions for

reading (in) the

future” (Robert Kroetsch)


jwcurry’s archive

jwcurry / Room 302 Books change of address card
jwcurry / Room 302 Books change of address card

Writer, sound performer, publisher, editor, artist and urban printer jwcurry has lived in Ottawa since 1996, after moving his archive/bookstore, said to be one of the largest collections of small press publications and ephemera in Canada, from his long-time home base in Toronto. His ongoing bibliography of the late Toronto poet bpNichol, a project he’s been working on for a couple of decades, include much that’d been missing even from Nichol’s collection of his own work. His influence in the city as a resource, performer, poet, enthusiast and contrarian has been both subtle and considerable, and his presence alone has encouraged a number of Ottawa writers and publisher to push well beyond their comfort levels and limits, influencing the work and performances of just about anyone who has worked with him.

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