Daphne Marlatt

Perilous bodies (PoemTalk #163)

Daphne Marlatt, 'Steveston, B.C.'

Ships loading canned salmon at Steveston, Fraser River, British Columbia, circa 1898; photograph by Stephen Joseph Thompson.

This episode of PoemTalk features a poem by Daphne Marlatt called “Steveston, B.C.” We were joined by Davy Knittle, Jane Robbins Mize, and Karis Shearer. The poem is in a sense — although not quite exactly — the title poem in a much-admired book published in 1974. Steveston sits at the mouth of the South Arm of the Fraser River, near Vancouver, British Columbia. In 2001 Ronsdale Press published a new edition of the book, with a new poem and photographs by Robert Minden. That volume is an easily accessible source for our poem. Another is Intertidal, The Collected Earlier Poems, 1968–2008 (Talonbooks), a volume of 560 pages of Marlatt’s poems, including, of course, all of Steveston. “Steveston, B.C.” raises vital, interconnected concerns: industrial devastation of waterways, migrations of exploited immigrant labor, the human concept of home, the malignant politics of settlement and resettlement, and commercial and technological abuse of the intreprid instinct of aquatic life.

Rousing earth to excel (PoemTalk #153)

Daphne Marlatt, 'Arriving'

From left: Daphne Marlatt, Fred Wah, Meredith Quartermain

LISTEN TO THE SHOW

In January 2020, Al Filreis and the PoemTalk team traveled to Vancouver, British Columbia, where at the home of friends Richard Cook and Lucy Oh Cook they met up with Meredith Quartermain, Fred Wah, and Daphne Marlatt to talk about Daphne’s poem “Arriving.” The discussion was witnessed by a lively live audience and was filmed. The unabridged video is available here below and also on YouTube.

The dark containers (PoemTalk #117)

Larissa Lai, 'Nascent Fashion'

Left to right: Colin Browne, Daphne Marlatt, and Fred Wah.

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Larissa Lai’s poetry here “is on the move between things,” as Fred Wah puts it in this episode of PoemTalk, for which Al Filreis also gathered Daphne Marlatt and Colin Browne to discuss Lai’s long poem Nascent Fashion (published together with several other long poems in Automaton Biographies). Fred, Daphne, and Colin were on tour together as a Western Canadian trio for readings and events along the US east coast. Fortunately for PoemTalk and Kelly Writers House, Philadelphia was one of their stops.

The dark containers (PoemTalk #117)

Larissa Lai, 'Nascent Fashion'

Left to right: Colin Browne, Daphne Marlatt, and Fred Wah.

LISTEN TO THE SHOW

Larissa Lai’s poetry here “is on the move between things,” as Fred Wah puts it in this episode of PoemTalk, for which Al Filreis also gathered Daphne Marlatt and Colin Browne to discuss Lai’s long poem Nascent Fashion (published together with several other long poems in Automaton Biographies). Fred, Daphne, and Colin were on tour together as a Western Canadian trio for readings and events along the US east coast. Fortunately for PoemTalk and Kelly Writers House, Philadelphia was one of their stops.

Fred Wah and Daphne Marlatt

Video recording of one poem by each

Daphne Marlatt, Fred Wah, and Colin Browne visited Philadelphia on March 15, 2017. They joined me for a recording of an episode of PoemTalk on Larissa Lai’s Nascent Fashion, and then give a triple reading at the Penn Book Center. That reading was recorded on audio and will be available soon at the poets’ PennSound pages. Meantime, I captured performances of two poems as video recordings — Fred Wah reading (his encore poem) from his great book Is a Door, and Daphne Marlatt reading a piece from her Vancouver Poems.

Daphne Marlatt on Close Listening

Photo: Charles Bernstein / PennSound

Daphne Marlatt talks to me about Vancouver as place and theme in her writing, poetry as documentary, the long poem as a fluid form for the lyric, poems as novels and novels as poems, drift in/as double consciousness, verbal language as and in the body, feminist poetics and writing “in lesbian,” the possibilities for love poetry, and the after-effects of her move from Malaysia to Canada when she was nine.

Daphne Marlatt talks to me about Vancouver as place and theme in her writing, poetry as documentary, the long poem as a fluid form for the lyric, poems as novels and novels as poems, drift and double consciousness, verbal language as and in the body, feminist poetics and writing “in lesbian,” the possibilities for love poetry, and the after-effects of her move from Malaysia to Canada when she was nine.

Geomantic riposte: 'Oyama Pink Shale'

Born in Tisdale, Saskatchewan, and currently an inhabitant of the Okanagan “wild” in Kelowna BC, and self-identified in the company of poet George Stanley as a staunch “aboutist,” Sharon Thesen is indeed a literary rara avis whose score of witty, entertaining and insightful poetry books are balanced by solid editorial and academic contributions, including two editions of The New Long Poem Anthology, a Governor-General’s Award-winning edition of Phyllis Webb’s poetry (The Vision Tree), and with co-editor Ralph Maud, two books of correspondences between the poet Charles Olson and book designer Frances Boldereff — the most recent being After Completion: The Later Letters of Charles Olson and Frances Boldereff.

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