Activism

Infrastructure writing

“[I]t is precisely a special way of writing that realism requires,” writes Lyn Hejinian in her essay, “Two Stein Talks.”[1] Site Cite City is a book of realism, in the sense Hejinian uses it: realism is the product of a method, of a “special way of writing.” The realism of

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  • On embedded poetry

    I. Poetry and the mess

    The notion that poetry has nothing to do with the “real world” of history and politics is a notion mostly held by a) some poets, and b) some people otherwise invested in poetry (critics/professors). The idea doesn’t come from the “real world” (however that might be artificially constructed), where I have never myself witnessed poetry being dismissed out of hand as an unwanted or alien intrusion.

    Ng Yi-Sheng

    Ng Yi-Sheng is a poet, fictionist, playwright, journalist and activist. He is the youngest winner of the Singapore Literature Prize (for his debut poetry collection, last boy). His second collection, Anthems (2014), consists of slam poetry works. His other publications include the bestselling non-fiction book, SQ21: Singapore Queers in the 21st Century, and a novelisation of the Singapore gangster movie, Eating Air. He also co-edited  and Eastern Heathens: An Anthology of Subverted Asian Folklore. He has recently completed his MA in the University of East Anglia’s creative writing programme.

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