Evie Shockley’s first reading of NourbeSe Philip’s Zong! #6 is the first of five we will publish in this second set of short essays in the new series. We will soon add first readings of Philip by Arlene Keizer, Meta DuEwa Jones, and Kathy Lou Schultz, among others. — Brian Reed, Craig Dworkin, and Al Filreis
* * *
If I remember correctly, my first first reading of NourbeSe Philip’s Zong! was a listening. In that I was lucky, because Philip is a beautiful reader of her own work, reciting in a quiet, steady voice that makes even the harshest, most guttural sounds in the English language (“l/anguish”) sound comforting — and also because hearing parts of Zong! read aloud gives one assurance that it can be read on the page.
David Caplan’s first reading of Rae Armantrout’s poem “Spin” is the fourth of five we will publish in this new series. Others by Jennifer Ashton, Katie Price, and Dee Morris are available at the First Readings series page. The next set of first readings will describe encounters with NourbeSe Philips’s Zong #6. — Brian Reed, Craig Dworkin, and Al Filreis
* * *
When first reading a poem, I focus on particularly evocative or puzzling moments — a phrase or two, some technical gestures, a flourish, a stylistic oddity, an apparent redundancy. I am searching for points of orientation and disorientation. I also often consider the poem’s structure; I want to know how it organizes language. My questions are rudimentary. Like Auden, I ask of the poem, “How does it work?”
Katie Price’s short essay on Rae Armantrout’s “Spin” is the second of five first readings of that poem we will publish in this new series. Jennifer Ashton’s was the first. The series page can be found here. — Brian Reed, Craig Dworkin, and Al Filreis
We are pleased to publish the first of five first readings of Rae Armantrout’s poem “Spin,” collected in Money Shot(Wesleyan, 2011). The text of the poem appears below. It happens that Armantrout’s PennSound page includes a recording of her performing the poem: here is that recording. Jennifer Ashton teaches at the University of Illinois at Chicago. She is the author of From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century (Cambridge, 2005) and edited The Cambridge Companion to American Poetry since 1945 (Cambridge, 2013). Her most recent article, “Poetry and the Price of Milk,” on the politics of contemporary poetry, can be found on nonsite.org, where she is a founding member of the board. She is currently at work on a new book, “Labor and the Lyric.” — Brian Reed, Craig Dworkin, and Al Filreis