Rosmarie Waldrop

Alterity, Misogyny & the Agonistic Feminine

Hieronymus Bosch, 'Garden of Earthly Delights' (detail).
Above: Hieronymus Bosch, 'Garden of Earthly Delights' (detail), via Wikimedia Commons.

This essay is conjectural and conversational. Conversational with other texts, other minds; but also among the importantly divergent logics of poetry and discourse, discourse and exploratory essay. Decades ago, skeptical about the force of a strictly woman-centered feminist theory whose reactive stance seemed to corroborate the secondary status of the feminine in the age-old M/F binary, I was struck — in a sense, saved — by the realization of a gender and genre transgressive experimental feminine rooted in embodied female experience but integral to all struggles (personal, sociopolitical, ethical, and aesthetic) with the cultural coercions of an ubermasculine hegemony.

 

Antigone: I stand convicted of impiety,
the evidence, my pious duty done …
Chorus: The same tempest of mind
as ever, controls the girl.[1]

Despite the fact that gender identities are in increasingly complex conversation with biology and cultural construction the reductive force of patriarchy, with its sidekick misogyny, remains the catastrophic constant. — S. M. Quant[2]

Claude Royet-Journoud interviewed by Keith and Rosmarie Waldrop (1985)

From 'Lingo'

Claude Royet-Journoud interviewed by Keith and Rosmarie Waldrop (c. 1985): pdf

from LINGO #4, 1995.

Close listening with Keith Waldrop, 2009

Keith Waldrop reads at the Kelly Writers House, 2009.

Editorial note: The following has been adapted from a Close Listening conversation recorded November 5, 2009, at the Kelly Writers House for PennSound and Art International Radio. Keith Waldrop was born in Kansas and attended a fundamentalist high school in South Carolina. His pre-med studies were interrupted when he was drafted to be an army engineer.

'Fractal Poetics': A rose is a leaf is a rose is a leaf

Iconic image of Romanesco broccoli, courtesy of Wired.
Iconic image of Romanesco broccoli, courtesy of Wired.

Before Benoit Mandelbrot’s fractal mathematics and Gertrude Stein’s roses, Johann Wolfgang von Goethe wrote about a primal plant, “Urpflanze,” which was constructed as a leaf within a leaf within a leaf. I wonder if his Platonic vision for this plant, from which all other plants derived, was an early imagining of fractal mathematics and response to fractal forms in the natural world (coast lines, human migration patterns, Romanesco broccoli). Visual depictions of fractals have no beginnings or endings in time, no inside or outside in space, and self-similarity and repetition occur at all discernible scales. To my eye, these aspects of visual fractals are pleasing. I am also dissatisfied by the undeviating periodicity of fractals.

Peter Waterhouse, Charles Bernstein, Rosmarie Waldrop at Harvard, April 8 and 9, 2014

Reading at Harvard, Woodberry Poetry room, with Peter Waterhouse and Rosmarie Waldrop.  April 8, 2014: 

(audio only)

THE VERSATORIUM PLAYBOOK: HOW TO DO THINGS WITH TRANSLATION
Seminar with Charles Bernstein & Peter Waterhouse on  the poetics of transduction, substitution, and transformation, as well as the political role that translation can play as a site of activism and engagement. April 9, 2014.

A conversation with Aaron Kunin

The poet's novel

Laynie Browne: Recently a show at the Morgan Library in New York City celebrated the 1913 publication of the first of the seven volumes of Swan’s Way. Here one could see some of Proust’s original handwritten manuscripts and notebooks, some of which have never left Paris. In one notebook, considering his book in progress he writes:  “Should it be a novel, a philosophical essay, am I a novelist?”

In your novel The Mandarin, the question is potently raised in various ways, who is a novelist? What is a novel? I wonder if you could comment on this.

Celebrating the 40th anniversary of Burning Deck Press

An anthology of readings by eight poets at the 2001 event

LISTEN TO THE SHOW

Amaris Cuchanski introduces the newest PennSound podcast in the series, now numbering 23 episodes. Nick DeFina created this 20-minute audio selection from the five-volume set of recordings made at Brown University at the May 2001 celebration of (then) forty years of Burning Deck Press publishing of books, chapbooks and pamphlets, by, of course, Rosmarie and Keith Waldrop.

Talkin' Politics of Poetic Form (the recordings)

25th anniversary

New at PennSound (site link for these recordings)

a series of talks I curated in 1988 at The New School (New York) and collected in The Politics of Poetic Form, Roof Books (1990): paper from SPD,  Kindle edition for $3.99

Inalienable writes (PoemTalk #47)

Rosmarie Waldrop, "Shorter American Memory of the Declaration of Independence"

Rosmarie Waldrop. Photo by Steve Evans.

LISTEN TO THE SHOW

Rosmarie Waldrop's book Shorter American Memory consists of prose poems collaged from documents collected in Henry Beston's American Memory, a book of the late 1930s evincing an Americanist zeal for early documents. Beston's historicism seemed a liberal effort to restore and include in the American story, as it was being retold during the Depression, a wide range of Native American as well as both obscure and classic “founding” or “first encounter” Euro-American writings. By appying various constraints to these documents, Waldrop rewrites Beston by “taking liberties” — an intentional pun on her part — with the gist of the anthology and its very length. In doing so, she (to quote her publishers at Paradigm Press) “unearths compelling clues into America's perception of its own past, developing a vision of America vital for its intelligence, wit & compassion.”

We at PoemTalk decided to take a close look at one of these prose poems, “Shorter American Memory of the Declaration of Independence.” A performance of this poem, preceded by a short introduction, was recorded at Buffalo in 1992. The main work of that reading was to present many chapters from Key into the Language of America, a project related to that of Shorter American Memory in several ways we mention in our discussion. As a warm-up to Key, she read three of her writings-through Beston: ours on the Declaration, a second on Salem, and a third on “the American Character According to [George] Santayana.”  Here is a link to Waldrop's PennSound page, where these and many other recordings are linked.

Inalienable writes (PoemTalk #47)

Rosmarie Waldrop, 'Shorter American Memory of the Declaration of Independence'

Rosmarie Waldrop. Photo by Steve Evans.

LISTEN TO THE SHOW

Rosmarie Waldrop’s book Shorter American Memory consists of prose poems collaged from documents collected in Henry Beston’s American Memory, a book of the late 1930s evincing an Americanist zeal for early documents. Beston's historicism seemed a liberal effort to restore and include in the American story, as it was being retold during the Depression, a wide range of Native American as well as both obscure and classic “founding” or “first encounter” Euro-American writings. By appying various constraints to these documents, Waldrop rewrites Beston by “taking liberties” — an intentional pun on her part — with the gist of the anthology and its very length. In doing so, (to quote her publishers at Paradigm Press) she “unearths compelling clues into America's perception of its own past, developing a vision of America vital for its intelligence, wit & compassion.”

We at PoemTalk decided to take a close look at one of these prose poems, “Shorter American Memory of the Declaration of Independence.” A performance of this poem, preceded by a short introduction, was recorded at Buffalo in 1992. The main work of that reading was to present many chapters from Key into the Language of America, a project related to that of Shorter American Memory in several ways we mention in our discussion. As a warm-up to Key, she read three of her writings-through Beston: ours on the Declaration, a second on Salem, and a third on “the American Character According to [George] Santayana.”  Here is a link to Waldrop's PennSound page, where these and many other recordings are linked.<--break- />

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